The Rapture

Ed Fornieles

The Rapture, 201620 x 20 x 15cmSign in to view price
Details
MaterialGallery
Description
Human-crafted. AI-refined.

The artwork depicts a playful and humorous scene featuring two cartoon-like figures. The vibrant colors, primarily red and blue, create a striking visual contrast. The composition centers around a large, expressive figure reclining on a couch, while a smaller figure sits nearby, engaging in conversation. The style is whimsical and exaggerated, with the figures exhibiting exaggerated features and poses. This playful representation likely reflects the artist's intention to explore themes of interpersonal dynamics and the human experience through a lighthearted, imaginative lens. ...

Similar Artworks
Shanghai Federation of Industry & Commerce Building
Cui Jie 崔洁
Shanghai Federation of Industry & Commerce Building, 2021
220 x 180cm
White Man's Bible (Revenge Porn)
Sophia Al Maria
White Man's Bible (Revenge Porn), 2018
38.1 x 21.9 x 29.8cm
Sentiment Analysis (Byron Burger)
Georgie Nettell
Sentiment Analysis (Byron Burger), 2016
45 x 78 x 2cm
Glory Hole
Flo Brooks
Glory Hole, 2015
30 x 36.5 x 4cm
Nepenthe (Monument for Forgetting)
Lawrence Lek
Nepenthe (Monument for Forgetting), 2021
Bottles and Cans on Yellow
Neil Beloufa
Bottles and Cans on Yellow, 2019
182.88 x 130.18 x 25.4cm
TBT
Dolphin Sculpture
Cui Jie 崔洁
Dolphin Sculpture, 2021
210 x 250cm
Embraceable You
Steve Bishop
Embraceable You, 2020
149 x 48.2 x 43cm
Ed Fornieles
Artist
Ed Fornieles
B.1983, British

In his practice, Ed Fornieles investigates the impact the virtual world has on physical reality, and vice versa. By blurring the distinctions between the online and the offline, his installations, performances and video works mirror social networks and often use them as artistic tools. His practice involves creating elaborate social scenarios which depict the stark difference between people’s real-life personalities and their online personae. For instance, his 2011 project titled Dorm Daze involved creating characters, inspired by American college students, on Facebook which then interacted with each other for three months, thereby forming connections and subjective experiences. The artist’s live performances similarly orchestrate social settings, often placed within the young person’s coming of age context, to which the audience is invited to actively participate and role-play. By drawing on social media interactions and placing them into the real world, Fornieles creates uncanny observations on people, relationships and the condition of the twenty-first century. ...

Ed Fornieles: Artworks
Adventureland
Ed Fornieles
Adventureland, 2011
202 x 231 x 54cm
Contagion
Ed Fornieles
Contagion, 2011
150 x 125 x 230cm
Glock
Ed Fornieles
Glock, 2011
102 x 41 x 20cm
Orca
Ed Fornieles
Orca, 2011
219 x 230 x 77cm
Dinosaurs & Strange Creatures with Mr. Know-it-Owl
Ed Fornieles
Dinosaurs & Strange Creatures with Mr. Know-it-Owl, 2021
18.5 x 93.5 x 4cm
Pickles: The Dog Who Won the World Cup; The Reason I Jump
Ed Fornieles
Pickles: The Dog Who Won the World Cup; The Reason I Jump, 2021
242 x 19 x 4cm
A Happy Ending
Ed Fornieles
A Happy Ending, 2021
107.5 x 107.5 x 5cm
Associations
Bad Tales
Ed Fornieles
Bad Tales, 2021
53 x 62.5 x 4cm
My Dad Is a Sausage
Ed Fornieles
My Dad Is a Sausage, 2021
107.5 x 107.5 x 5cm
The Bears in the Bed and the Great Big Storm
Ed Fornieles
The Bears in the Bed and the Great Big Storm, 2021
107.5 x 107.5 x 5cm
The Here After
Ed Fornieles
The Here After, 2016
90 x 90 x 5cm
The Rapture
Ed Fornieles
The Rapture, 2016
20 x 20 x 15cm
Tulip Fever
Ed Fornieles
Tulip Fever, 2017
64 x 100cm
War Room
Ed Fornieles
War Room, 2015
85.1 x 58.4 x 1.3cm
wtFOCK
Ed Fornieles
wtFOCK, 2022
107.5 x 107.5cm
Our flag means death
Ed Fornieles
Our flag means death, 2022
107.5 x 107.5cm
Let's Be Cops
Ed Fornieles
Let's Be Cops, 2014
40 x 30 x 6cm
Chisenhale Gallery
Gallery
Chisenhale Gallery
London

Unlock Price & Inquiry Access