Eliot Greenwald

Not A Canoe, 2024241.3 x 119.38 x 5.08cmPrice on Request

Details

MaterialGallery

oil stick and acrylic on canvas over panelHarper's

Description

Human-crafted. AI-refined.

This vibrant contemporary artwork features a striking visual landscape. The composition is dominated by a large, golden pyramid-like structure that stands out against the dark, starry night sky. The foreground depicts a gnarled, twisted tree with leaves that glow in an amber hue, contrasting with the deep blues and purples of the surrounding terrain. The overall style combines surreal, fantastical elements with a meticulous attention to detail, suggesting a dreamlike, otherworldly atmosphere. The artist's intention may be to evoke a sense of wonder and mystery, inviting the viewer to ponder the hidden meanings and symbolism woven into this captivating piece. ...

Similar Artworks

Louis JacquotGerhard, 20232600 EUR

Erwan SeneYou'll always eat with us , 2021Price on Request

Louis JacquotKatarina, 20231800 EUR

Brook HsuUntitled (Skull), 2021Price on Request

Erwan SeneCosta Mirama, 2021Price on Request

Charles LyDá bóng, 2022Price on Request

Marcus BrutusPortrait #2 (Telfar), 2022Price on Request

Sophia Al MariaSunset Complexion, 2017Price on Request

Lu Yang 陆扬DOKU_Hell_2020_1, 2020Price on Request

Sean RaspetPurple Sage (Hybrid) - Salvia leucophylla, 2021Price on Request

Camille BlatrixAt the Café, 2021Price on Request

Artist

Eliot Greenwald

B.1983, American

Eliot Greenwald’s work encompasses painting, sculpture, and assemblage, and draws inspiration from an eclectic range of sources, including natural phenomena, pseudoscience, prehistoric narratives, theoretical physics, and popular media. By combining acrylic paint and oil stick, Greenwald creates vivid, tactile compositions that aim to evoke synesthetic experiences by saturating his paintings with intense colors and impasto surfaces. His freestanding sculptures incorporate found objects and studio debris, either painted in bright colors or left in their natural state, which blurs the lines between artifice and nature. Although Greenwald's work explores both ancient and sci-fi futurist registers, his playful approach and formal strategies defy easy classification. He blends modern phenomena with prehistoric motifs in a way that recalls analog film sets or the aesthetics of shows like Pee-Wee's Playhouse. In this way, Greenwald's work exists in a postmodern dimension that collapses historical styles into a continuum beyond strict chronology, inviting viewers to become passengers on a surreal journey. ...