Jail 3

Erwan Sene

Jail 3, 202180 x 105 x 44cmSign in to view price
Details
MaterialGallery
wood, paint, epoxy, polyurethane, thermoplastic, aluminium, steelConditions
Description
Human-crafted. AI-refined.

This sculptural artwork features a wooden structure with a recessed window and a draped brown fabric covering the front. The predominant color is a warm, earthy brown, and the overall composition has a rustic, weathered quality. The fabric appears to be gathered and tied, creating a sense of depth and texture. The piece seems to explore the interplay between the rigid wooden structure and the soft, pliable textile material. This artwork may comment on themes of shelter, protection, or the relationship between the natural and the man-made. The artist's intention may be to evoke a sense of mystery or introspection in the viewer. ...

Similar Artworks
New Kind of Sun
Carolina FusilierNew Kind of Sun, 2021
50 x 40 x 5cm
Delivery
Candelabro
Diane García RamosCandelabro, 2024
17.78 x 30.48 x 20.32cm
New Kind of Sun
Carolina FusilierNew Kind of Sun, 2021
50 x 40 x 5cm
Graft X
Yohan HànGraft X, 2022
22 x 22 x 8cm
New Kind of Sun
Carolina FusilierNew Kind of Sun, 2017
40 x 37 x 4cm
Red Wave
Tyler DobsonRed Wave, 2022
182.9 x 121.9cm
Angel Engines
Comal
Diane García RamosComal, 2023
33.02 x 2.54 x 15.24cm
Altar II (Imago Lab)
Flowform I
Diane García RamosFlowform I, 2024
152.4 x 60.96cm
Crypto Forever
Smoker Jug
Sharif FarragSmoker Jug, 2022
23 x 35.5 x 30.5cm
Metate
Diane García RamosMetate, 2022
20.32 x 25.4 x 15.24cm
Graft VII
Mud Mountain
Sharif FarragMud Mountain, 2024
43 x 25.5 x 25.5cm
Water circuits
Carolina FusilierWater circuits, 2024
124.5 x 90.2 x 3cm
Medical Marijuana
Graft VIII
Ballet Bag
Rose NestlerBallet Bag, 2021
140 x 196 x 65cm
Héligabale daybed
Nils Alix-TabelingHéligabale daybed, 2021
125 x 91 x 200cm
Lithium Heart Jug
Halloween
FALLING CARYATID #2
Benjamin RenouxFALLING CARYATID #2, 2017
170 x 90 x 121cm
Jonayla
Klara ZetterholmJonayla, 2024
87 x 45 x 35cm
Molcajete
Diane García RamosMolcajete, 2022
20.32 x 15.24 x 15.24cm
Erwan Sene
Artist
Erwan Sene
B.1991

Repurposing discarded everyday materials such as wood, steel, fabric and aluminium, sculptor Erwan Sene binds these materials using bright paints, weaving oddly familiar domestic scenes or conceiving completely unrecognisable, otherworldly forms. Cabinets are taken apart and reborn as miniature model homes. The engineering of objects is revealed as they are turned inside out, softened with draped fabric, or their surfaces softly spray painted. His work as a musician undoubtedly feeds his sculptures, giving them accents and flows, mimicking melodies, or discordant rhythms. In a heady oeuvre, Sene brings together technical aspects of Surrealism and Dada, merging these influences with a Baroque theatricality to create forms drenched in a sense of the uncanny and dystopia. Sene cites his interest in science fiction, which can readily be seen in the neon hues and supernatural structures of his pieces. Other topics regularly explored in his practice include contamination, idiopathy and digital cultures. ...

Erwan Sene: Artworks
Mirama'am Cabinet
Costa Mirama
Jail 3
Erwan SeneJail 3, 2021
80 x 105 x 44cm
Parasite Eve
B
Erwan SeneB, 2021
173 x 105 x 30cm
Everytime ma'am
Contenu perdu
OverEye
Erwan SeneOverEye, 2025
50 x 20 x 30cm
Conditions
Gallery
Conditions
Toronto

Conditions began as Bonny Poon in 2017, Paris. Located on the 26th floor of a brutalist residential tower in the 13e, the gallery was co-founded by Nathaniel Monjaret (Marbriers 4, Geneva) and artist Bonny Poon. Since 2023, the gallery is known as Conditions and is based out of Toronto’s Chinatown, while operating internationally. From the outset, Bonny Poon has striven to highlight the conditions that make art—from its production to sale—possible. Beyond the art on display, we foreground the history of our artists' attitudes, positions, and networks. We have presented the Parisian and Canadian debut of many intergenerational artists and cultural figures, emerging and established. As a gallery and an auto-fiction, we support transgressive artists and critical experiments. We mine the backstage, backroom working relations that unfold between our artists, clients, critics, and dealers—a parade of economic reality, a lasting dream of community. ...