Sound Blanket No. 11

Jacqueline Kiyomi Gork

Sound Blanket No. 11, 2022152.4 x 139.7 x 15.2cmSign in to view price
Details
MaterialGallery
hand-felted wool, human hair, and synthetic hair with satin lining and steel hardwareFrançois Ghebaly
Description
Human-crafted. AI-refined.

The artwork depicts a grey quilted coat with a fur-trimmed hood, hanging on a metal hanger against a plain white background. The coat features a patterned fabric with stitched panels, giving it a textured and layered appearance. The fur trim on the hood adds a soft, warm contrast to the otherwise neutral color palette. The minimalist, clinical presentation of the coat suggests an examination or contemplation of this everyday garment as an object of artistic interest. The artist's intention may be to draw attention to the craftsmanship and materiality of this utilitarian item, inviting the viewer to consider it through a lens of contemporary art. ...

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Jacqueline Kiyomi Gork
Artist
Jacqueline Kiyomi Gork
B.1982, American

Jacqueline Kiyomi Gork's hybrid practice combines work in sound installation, sculpture, and performance with the aim of reconfiguring the traditional hierarchies between audience, performer, and architecture. Her sculptural and sonic systems often reference complex sonic histories embedded into the technological infrastructure of architecture, music, communications technologies and military research. By investigating the networks of institutional and technological power which traverse our embodied perception of sound, she hopes to reveal the myriad ways in which our acoustic experience is subject to control and suggest alternative modes of engagement with the sonic world. ...

Jacqueline Kiyomi Gork: Artworks
Sound Blanket No. 15
Jacqueline Kiyomi Gork
Sound Blanket No. 15, 2022
162.6 x 101.6 x 40.6cm
Sound Blanket No. 11
Jacqueline Kiyomi Gork
Sound Blanket No. 11, 2022
152.4 x 139.7 x 15.2cm
Sound Blanket No. 9
Jacqueline Kiyomi Gork
Sound Blanket No. 9, 2022
119.4 x 111.8 x 17.8cm
Sound Blanket No. 8
Jacqueline Kiyomi Gork
Sound Blanket No. 8, 2022
134.6 x 127 x 25.4cm
Sound Blanket No. 7
Jacqueline Kiyomi Gork
Sound Blanket No. 7, 2022
149.9 x 149.9 x 17.8cm
Bag O'Weed
Jacqueline Kiyomi Gork
Bag O'Weed, 1990
117 x 129.5 x 17.8cm
This DJ
Jacqueline Kiyomi Gork
This DJ, 1990
112 x 129.5 x 18cm
Sound Blanket No. 2
Jacqueline Kiyomi Gork
Sound Blanket No. 2, 2018
104 x 60.1 x 25.5cm
Attenuator No. 5
Jacqueline Kiyomi Gork
Attenuator No. 5, 2021
58.8 x 192 x 25.5cm
Sound Blanket No. 5
Jacqueline Kiyomi Gork
Sound Blanket No. 5, 2021
217 x 220 x 10cm
Attenuator No. 1
Jacqueline Kiyomi Gork
Attenuator No. 1, 2021
137 x 143 x 40cm
Sound Blanket No.6
Jacqueline Kiyomi Gork
Sound Blanket No.6, 2021
199 x 191 x 10cm
Attenuator No. 4
Jacqueline Kiyomi Gork
Attenuator No. 4, 2021
180 x 73 x 42cm
Sound Blanket No. 10
Jacqueline Kiyomi Gork
Sound Blanket No. 10, 2022
157.5 x 139.7 x 27.9cm
Sound Blanket No. 16
Jacqueline Kiyomi Gork
Sound Blanket No. 16, 2022
190 x 190 x 10cm
François Ghebaly
Gallery
François Ghebaly
Los Angeles, New York City

Since 2009, François Ghebaly has presented an innovative, eclectic program of Los Angeles-based and international artists. With a history of identifying and championing diverse voices and emerging talent, the gallery’s roster has grown to include 27 artists and 2 artist estates, ranging from early career, such as Sharif Farrag and Ludovic Nkoth, to mid-career, like Christine Sun Kim, Meriem Bennani, Kelly Akashi, Farah Al Qasimi, and Genesis Belanger, to well established, including Sayre Gomez, Kathleen Ryan, Neïl Beloufa and Candice Lin as well as underground legends, like Patrick Jackson and Mike Kuchar. The gallery advances the reach of its artists’ visions by publishing exhibition catalogues and producing artist editions. Located since 2013 in a 12,000 square foot warehouse space in Downtown Los Angeles, the gallery is a mainstay of the burgeoning Arts District community, and recently expanded to New York's Lower East Side. François Ghebaly’s program demonstrates a commitment to challenging work across all media and to fostering the progressive, boundary-pushing practices of its artists. ...

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