Untitled

Naama Tsabar

Untitled, 202137.5 x 30cm10000 USD
Details
MaterialGalleryLocation
incised new yorker magazineDvir GalleryTel Aviv
Description
Human-crafted. AI-refined.

This vibrant cover of The New Yorker magazine features a striking surrealistic composition. The colors are bold, with a dominant blue hue and accents of orange and yellow. The overall layout is whimsical and imaginative, blending recognizable elements of the New York City skyline with fantastical, abstract shapes and figures. The style evokes a sense of dreamlike wonder, with the inclusion of the iconic Empire State Building and various stylized human forms. This imaginative artwork captures the dynamic energy and creativity of the city, hinting at the magazine's eclectic and innovative perspective on contemporary culture. ...

Similar Artworks
Untitled
Bunny RogersUntitled, 2021Price on Request
My Hands by Asa
Em RooneyMy Hands by Asa, 20205000 USD
Spinning Top #2
Alice AycockSpinning Top #2, 2023120000 USD
Ida, Ida, Ida!
Olivia ErlangerIda, Ida, Ida!, 2020Price on Request
11:34 AM
Olivia Erlanger11:34 AM, 20208000 USD
Pour the boos around me
TourmalinePour the boos around me, 2022Price on Request
Rolls-Royce inspired, on Atlantic Avenue
Em RooneyRolls-Royce inspired, on Atlantic Avenue, 20236000 USD
Ocean Drawing 1
Joan JonasOcean Drawing 1, 201927000 USD
Queen's Angel
Bunny RogersQueen's Angel, 2024Price on Request
Darkness Visible : #3 Twister Again
Alice AycockDarkness Visible : #3 Twister Again, 201917000 USD
Gisant II
Paul MahekeGisant II, 202411000 EUR
Mom / Mesh
Talia ChetritMom / Mesh, 20217000 USD
Another Punished
Jeanette MundtAnother Punished, 202350000 USD
Naama Tsabar
Artist
Naama Tsabar
1982 , Israeli

Naama Tsabar explores the cultural norms and hierarchical systems ingrained within popular music through her sculptures, performances, and installations. Her works combine multiple elements and musical instruments, often made with industrial materials such as plywood, felt, and paper in muted tones to evoke the Post-Minimalist art movement of the 1970s. By incorporating guitar strings, tuners, microphones, and speakers, Tsabar's pieces go beyond abstract formalism and step into live performance. To liven her installations, the artist collaborates mainly with women and gender nonconforming musicians, to create music ranging from experimental noise to more conventional songwriting. Through these collaborations, Tsabar examines the intricate relationships between bodies, space, sexuality, and identity, infusing seemingly neutral objects with a distinct feminist perspective. Through her interactive installations she reimagines gendered narratives, and shifts the audience's passive perception to one of active engagement, highlighting the unheard and obscured. ...

Naama Tsabar: Artworks
Eye U
Naama TsabarEye U, 202112000 EUR
Untitled
Naama TsabarUntitled, 202110000 USD
Untitled (Body Wall)
Naama TsabarUntitled (Body Wall), 20186500 USD
Untitled (Body Wall)
Naama TsabarUntitled (Body Wall), 20186500 USD
Untitled (Body Wall)
Naama TsabarUntitled (Body Wall), 20186500 USD
Work on Felt (Variation 1)
Naama TsabarWork on Felt (Variation 1), 201238000 USD
Work On Felt (Variation 10)
Naama TsabarWork On Felt (Variation 10), null34000 USD
Work On Felt (Variation 19), Burgundy
Naama TsabarWork On Felt (Variation 19), Burgundy, null34000 USD
Transition
Naama TsabarTransition, 201630000 USD
Work on Paper #38
Naama TsabarWork on Paper #38, 20236500 EUR
Untitled
Naama TsabarUntitled, 202112000 EUR
Age of Monsters
Naama TsabarAge of Monsters, 202012000 EUR
Dvir Gallery
Gallery
Dvir Gallery
Tel Aviv, Brussels, Paris

Dvir Gallery was founded in 1982 by Dvir Intrator to introduce cutting-edge contemporary Israeli artists. In 1994 the gallery broadened its’ representation to include international artists such as Miroslaw Balka, Marianne Berenhaut, Douglas Gordon, Latifa Echakhch, and Lawrence Weiner in its’ program. In 2013, Dvir Gallery combined its’ 3 separate spaces into a 5-story building, the first of its’ kind in Tel Aviv. In 2016, the gallery opened its first gateway to Europe with a branch in Brussels, which strengthen and developed the existing relationship with the international artistic community. Earlier this year, on the occasion of its 40th anniversary, the gallery opened a space in Paris, in the heart of the historical Marais District, emphasizing the special ties and connection the gallery has had, since its beginnings, with the French cultural milieu, collaborating with artists, institutions and private collections. ...