Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant

Fernando Bryce

Les fusillés de Chateaubriant, 201135 x 25cm77000 USD
Details
MaterialGalleryLocation
ink on paper80m2 Livia BenavidesLima
Description
Human-crafted. AI-refined.

This striking black and white portrait depicts the French chaudronnier (coppersmith) Maximilien Bastard. The bold, angular lines and high-contrast shading create a dynamic, almost cubist-inspired composition that emphasizes the subject's strong facial features and determined expression. The symbolic subject matter, captured in an illustrative style, suggests the artwork may serve a commemorative or biographical purpose. While the artist's identity is unclear, the work reflects a distinctly modern aesthetic that likely reflects the progressive artistic currents of its era, providing insight into the cultural and historical context surrounding Maximilien Bastard's life and legacy. ...

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Fernando Bryce
Artist
Fernando Bryce
1965 , Peruvian

Fernando Bryce (born in 1965 in Lima) attended university in both Lima and Paris and lived for many years in Berlin. His drawings systematically re-examine the ways in which historical events are represented in print media. The process, which Bryce describes as “mimetic analysis” involves selecting archives for print materials such as advertisements, newspaper articles, and propaganda brochures to faithfully reproduce a selection of these materials, creating his own “reconstructions.”

Fernando Bryce: Artworks
Ich war dabei (I was there)
Fernando BryceIch war dabei (I was there), 2024Price on Request
La batalla del planeta de los simios
Fernando BryceLa batalla del planeta de los simios, 20227000 USD
Omega XT
Fernando BryceOmega XT, 20227500 USD
Sears
Fernando BryceSears, 20227500 USD
Atari
Fernando BryceAtari, 20227500 USD
Datasol
Fernando BryceDatasol, 20227500 USD
Corpore Insepulto/ Leonid Brezhnev
Fernando BryceCorpore Insepulto/ Leonid Brezhnev, 20225500 USD
Deng-Xiaoping
Fernando BryceDeng-Xiaoping, 20225500 USD
Schwitters by me
Fernando BryceSchwitters by me, 20216500 USD
Schwitters by me
Fernando BryceSchwitters by me, 20216500 USD
Contra el bien general
Fernando BryceContra el bien general, 202020000 USD
Auf Fischer Tat
Fernando BryceAuf Fischer Tat, 201695000 USD
Les fusillés de Chateaubriant
Fernando BryceLes fusillés de Chateaubriant, 201177000 USD
Der Biologe
Fernando BryceDer Biologe, 201260000 USD
Rayuela para Manuel
Fernando BryceRayuela para Manuel, 202365000 EUR
Tamayo/Siqueiros
Fernando BryceTamayo/Siqueiros, 202418000 EUR
80m2 Livia Benavides
Gallery
80m2 Livia Benavides
Lima

80M2 Livia Benavides is an art gallery specialised in Peruvian conceptual art. The gallery opened in Lima as a response to a scarce infrastructure for the arts. From then on, the gallery is focused on developing critical discourses on contemporary issues. We are interested in different voices, practices and aesthetics focused on political and social reflection. By promoting the works of established and emerging artists who have influenced the local artistic scene, we intend to introduce new names internationally. The gallery strives to build bridges between the local and international contributing to an interchange that goes beyond borders. 80m2 Livia Benavides advocates for non- conventional exhibitions spaces that transcends the white box experience. With the intend to reach a broader spectrum of the community and to rethink exhibition venues. ...