Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant
Les fusillés de Chateaubriant

Fernando Bryce

Les fusillés de Chateaubriant, 201135 x 25cmSign in to view price
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MaterialGallery
Description
Human-crafted. AI-refined.

This striking black and white portrait depicts the French chaudronnier (coppersmith) Maximilien Bastard. The bold, angular lines and high-contrast shading create a dynamic, almost cubist-inspired composition that emphasizes the subject's strong facial features and determined expression. The symbolic subject matter, captured in an illustrative style, suggests the artwork may serve a commemorative or biographical purpose. While the artist's identity is unclear, the work reflects a distinctly modern aesthetic that likely reflects the progressive artistic currents of its era, providing insight into the cultural and historical context surrounding Maximilien Bastard's life and legacy. ...

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Fernando Bryce
Artist
Fernando Bryce
B.1965, Peruvian

Fernando Bryce (born in 1965 in Lima) attended university in both Lima and Paris and lived for many years in Berlin. His drawings systematically re-examine the ways in which historical events are represented in print media. The process, which Bryce describes as “mimetic analysis” involves selecting archives for print materials such as advertisements, newspaper articles, and propaganda brochures to faithfully reproduce a selection of these materials, creating his own “reconstructions.” ...

Fernando Bryce: Artworks
Ich war dabei (I was there)
Fernando Bryce
Ich war dabei (I was there), 2024
42 x 30cm
La batalla del planeta de los simios
Fernando Bryce
La batalla del planeta de los simios, 2022
50 x 70cm
Omega XT
Sears
Atari
Datasol
Corpore Insepulto/ Leonid Brezhnev
Fernando Bryce
Corpore Insepulto/ Leonid Brezhnev, 2022
30 x 42cm
Deng-Xiaoping
Schwitters by me
Fernando Bryce
Schwitters by me, 2021
50 x 35cm
Schwitters by me
Fernando Bryce
Schwitters by me, 2021
50 x 35cm
Contra el bien general
Fernando Bryce
Contra el bien general, 2020
29.7 x 42cm
Auf Fischer Tat
Fernando Bryce
Auf Fischer Tat, 2016
255 x 390cm
Les fusillés de Chateaubriant
Fernando Bryce
Les fusillés de Chateaubriant, 2011
35 x 25cm
Der Biologe
Fernando Bryce
Der Biologe, 2012
42 x 30cm
Rayuela para Manuel
Fernando Bryce
Rayuela para Manuel, 2023
160 x 255cm
Tamayo/Siqueiros
Fernando Bryce
Tamayo/Siqueiros, 2024
70 x 86cm
80m2 Livia Benavides
Gallery
80m2 Livia Benavides
Lima

80M2 Livia Benavides is an art gallery specialised in Peruvian conceptual art. The gallery opened in Lima as a response to a scarce infrastructure for the arts. From then on, the gallery is focused on developing critical discourses on contemporary issues. We are interested in different voices, practices and aesthetics focused on political and social reflection. By promoting the works of established and emerging artists who have influenced the local artistic scene, we intend to introduce new names internationally. The gallery strives to build bridges between the local and international contributing to an interchange that goes beyond borders. 80m2 Livia Benavides advocates for non- conventional exhibitions spaces that transcends the white box experience. With the intend to reach a broader spectrum of the community and to rethink exhibition venues. ...

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