A Magdalene
Details
MaterialGallery
oil on canvasSadie Coles HQ
Description
Human-crafted. AI-refined.

The painting features a vibrant color palette, with dominant shades of green, pink, and red. The composition is striking, with a central figure depicted in a surreal, ethereal manner. Symbolic elements, such as a ladder and skeletal forms, add an air of mystery and introspection to the scene. The artist employs a distinctive style, blending figurative and abstract elements to create a dreamlike, thought-provoking work. This piece may explore themes of the subconscious, mortality, and the complexities of the human experience. ...

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Artist
Georgia Gardner Gray
B.1988, American

Georgia Gardner Gray’s large paintings are an iridescently eclectic investigation of the female gaze, rebellion and freedom. Presented in unexpected shapes and orientations, her canvases depict dreamy personas amidst the bright but melancholic hues. The artist’s paintary skill is reminiscent of early 20th century French masters, however, her works could not be more contemporary. Gray’s subjects exist within the brutal hierarchy of the public and the private, the digital and the physical: they strive to gain control which escapes them. Her works refuse the established rules and norms of societal elite and give space to punks and vagabonds, indulgence and unadulterated expression. At the same time, a hint of anxiety and loneliness can be traced through her paintings. The artist’s practice continuously recontextualizes and defamiliarises the self and its surroundings, however, in such a pursuit, it resonates with its audience on the most intimate level. ...

Georgia Gardner Gray: Artworks
Anonymous
Georgia Gardner Gray
Anonymous, 2020
100 x 80 x 3cm
Backstage, Still Alone, Swinging from a hippie tree
Georgia Gardner Gray
Backstage, Still Alone, Swinging from a hippie tree, 2017
240 x 115cm
Bahnhof Zoo
Georgia Gardner Gray
Bahnhof Zoo, 2017
190 x 160cm
Boss
Clingy Punk
Coal Miners
Crumbling Your Stupid Idea
Georgia Gardner Gray
Crumbling Your Stupid Idea, 2017
90 x 65cm
Dalmatine
Georgia Gardner Gray
Dalmatine, 2016
130 x 105 x 2cm
Horse Medicine
Georgia Gardner Gray
Horse Medicine, 2017
120 x 120cm
Science (Ötzi the Iceman)
Georgia Gardner Gray
Science (Ötzi the Iceman), 2015
70 x 50cm
Subaltern Autonomous Zone
Georgia Gardner Gray
Subaltern Autonomous Zone, 2020
130 x 120 x 4cm
Twinning I
Untitled (Carrying a lady to her chair)
Georgia Gardner Gray
Untitled (Carrying a lady to her chair), 2016
194 x 190cm
Untitled (Fashion)
Georgia Gardner Gray
Untitled (Fashion), 2016
38 x 38cm
Untitled (Pushing the button)
Georgia Gardner Gray
Untitled (Pushing the button), 2016
90 x 80cm
Butterfly Eyes (small)
Georgia Gardner Gray
Butterfly Eyes (small), 2016
93 x 43 x 51cm
Butterfly Eyes (large)
Georgia Gardner Gray
Butterfly Eyes (large), 2016
107 x 114 x 110cm
The Paris RER Regional Train
Georgia Gardner Gray
The Paris RER Regional Train, 2017
160 x 160cm
Payment in Butter
Georgia Gardner Gray
Payment in Butter, 2017
160 x 120cm
Twinning II
Self portrait
Georgia Gardner Gray
Self portrait, 2018
130 x 90cm
Controller
Monoculture
Georgia Gardner Gray
Monoculture, 2018
120 x 120cm
Age of Asexual Reproduction
Georgia Gardner Gray
Age of Asexual Reproduction, 2019
226 x 226cm
Snowflake (Buddha Bless this Property)
Georgia Gardner Gray
Snowflake (Buddha Bless this Property), 2019
226 x 226cm
Bad Night's Sleep
Georgia Gardner Gray
Bad Night's Sleep, 2019
210 x 134cm
Christmas Market
Georgia Gardner Gray
Christmas Market, 2019
135 x 210cm
Selfportrait with Tomatoes
Georgia Gardner Gray
Selfportrait with Tomatoes, 2019
105 x 70cm
Doing the Work
Georgia Gardner Gray
Doing the Work, 2020
200 x 240 x 4cm
Supermarket
Georgia Gardner Gray
Supermarket, 2021
240 x 200cm
Optimizer
XYZ (fast asleep)
Georgia Gardner Gray
XYZ (fast asleep), 2017
120 x 90cm
A Magdalene
Extreme Spoons
Georgia Gardner Gray
Extreme Spoons, 2024
122 x 142cm
Untitled
Sadie Coles HQ
Gallery
Sadie Coles HQ
London, London, London

Sadie Coles HQ is a London-based contemporary art gallery representing around fifty international artists. The gallery opened in 1997, with an inaugural exhibition of new paintings by American painter John Currin presented in parallel with an offsite show by British artist Sarah Lucas, The Law, at St John Street. This pairing established the international breadth of the gallery's programme, which has since expanded over the past two decades. Since its inception, Sadie Coles HQ has operated from a variety of spaces; most recently mounting offsite shows in Los Angeles and Mayfair in 2020 with a significant new video installation by Martine Syms. In September 2013, Sadie Coles HQ opened its largest space at 62 Kingly Street in Soho, as well as a second space at 1 Davies Street in Mayfair designed by 6a Architects in 2015, and a third space at 8 Bury Street in St James’s in April 2021. ...

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