History of a hand

Gerda Scheepers

History of a hand, 2019110 x 62cmSign in to view price
Details
MaterialGallery
fabric, acrylic paint, cord and woodblank projects
Description
Human-crafted. AI-refined.

This abstract artwork features a stark, minimalist composition with bold shapes and colors. The central design consists of geometric forms in shades of blue and white, arranged in a dynamic and off-kilter manner. The use of negative space and contrasting tones creates a sense of tension and visual interest. The artist's distinctive style and technique suggest a modernist or constructivist approach, aiming to explore the interplay of form, color, and spatial relationships. This piece likely reflects the artist's interest in the fundamental elements of visual art and their capacity to convey meaning through abstract expression. ...

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By applying imagery as short-hand for both her own art making process or specific (cultural) signs and figurations, Gerda Scheepers explores the medium of painting. Content and formal elements of painting are remixed through cut, copy and paste with the results actively pursuing ambiguity. Her paintings, as well as her sculptures, operate like devices for containment that, ultimately crucially, fail to contain. Scheepers delves into the techniques of collage and decoupage, using them as visual and linguistic instruments to disrupt the continuum of the familiar and enable a continuum between apparently disparate registers. Simultaneously, she employs collage as a tool to didactically, and sometimes humorously, imitate the brutal fragmentation brought on by life’s daily efforts. In Scheepers’ words, “the studio functions somehow as a capsule, where possibilities and restrictions play themselves out.” ...

Gerda Scheepers: Artworks
History of a hand
Pondoland pocket
Gerda ScheepersPondoland pocket, 2014
93 x 94 x 20cm
The Style
Gerda ScheepersThe Style, 2016
165 x 220cm
The Shame
Gerda ScheepersThe Shame, 2016
182 x 240cm
Temple / Template
Volume
Gerda ScheepersVolume, 2020
90 x 70 x 3.2cm
Pillow Riley (small)
K
Gerda ScheepersK, 2017
43 x 53cm
64 A/B (yellow)
Gerda Scheepers64 A/B (yellow), 2019
79.5 x 64 x 7cm
CLOUDS
Gerda ScheepersCLOUDS, 2024
300 x 220cm
COPYSHOP GOD
Gerda ScheepersCOPYSHOP GOD, 2024
220 x 300cm
MOTHER BROTHER GAZA
ROOF (III)
Gerda ScheepersROOF (III), 2024
300 x 220cm
Isa Genzken
Gerda ScheepersIsa Genzken, 2024
40 x 30 x 4cm
COPY ME
Gerda ScheepersCOPY ME, 2024
40 x 30 x 4cm
Tie Back
Gerda ScheepersTie Back, 2024
40 x 30 x 4cm
Look back
Gerda ScheepersLook back, 2024
40 x 30 x 4cm
Hands
Gerda ScheepersHands, 2023
40 x 30 x 4cm
ROOF (I)
Gerda ScheepersROOF (I), 2023
40 x 30 x 4cm
ROOF (II)
Gerda ScheepersROOF (II), 2023
40 x 30 x 4cm
HEADREST
Gerda ScheepersHEADREST, 2024
40 x 40 x 4cm
FALL
Gerda ScheepersFALL, 2024
40 x 40 x 4cm
Snow
Gerda ScheepersSnow, 2024
40 x 40cm
Three Windows
blank projects
Gallery
blank projects
Cape Town

Based in a 360 sqm gallery in Woodstock, Cape Town, blank was founded by Jonathan Garnham as a project space in 2005 and transitioned into a commercial gallery during 2012. The gallery represents emerging and increasingly established artists from the region in a critically engaged programme that emphasises contemporaneity, with a focus on concept and abstraction in the African context. With an exhibition programme that has a reputation for shaping the discourse around contemporary art in South(ern) Africa, and participation in prominent local and international art fairs, we seek to place our artists' work in a wide range of private and institutional collections. In addition, blank continues to promote the visual arts in our community through ongoing projects that support the sector. ...

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