COPY ME
COPY ME

Gerda Scheepers

COPY ME, 202440 x 30 x 4cmSign in to view price
Details
MaterialGallery
acrylic and acrylic ink on canvasblank projects
Description
Human-crafted. AI-refined.

The artwork presents a minimalist composition featuring a single abstract shape on a plain white background. The prominent black form stands out against the stark, monochromatic setting, creating a strong visual contrast. The simplicity of the design and the use of negative space suggest a focus on form, line, and geometry, characteristic of a contemporary abstract style. The lone figure in the frame, dressed in a black robe, directs the viewer's attention to the geometric artwork, inviting contemplation on the artist's intended message or interpretation of the human experience within a minimalist environment. ...

Similar Artworks
Untitled
Thea DjordjadzeUntitled, 2020
147.3 x 111.7 x 3.8cm
Yayas Yu’
Gisela McDanielYayas Yu’, 2021
67.3 x 52.1 x 7.6cm
Equanimity #2
Gisela McDanielEquanimity #2, 2022
55.9 x 38.1cm
Holy terrain
Untitled
Thea DjordjadzeUntitled, 2020
104 x 77.5 x 3.5cm
Untitled
Thea DjordjadzeUntitled, 2020
101.6 x 35.6 x 1.9cm
Equanimity #2
Gisela McDanielEquanimity #2, 2022
38.1 x 55.9cm
When truth becomes fiction
Snowden
Gisela McDanielSnowden, 2021
114.3 x 175.3 x 14cm
Gaia
Sophie von HellermannGaia, 2022
200 x 190cm
Untitled
Thea DjordjadzeUntitled, 2013
14.5 x 146 x 38cm
Do more
Gisela McDanielDo more, 2023
137.2 x 182.9 x 7.6cm
Untitled
Thea DjordjadzeUntitled, 2018
41.5 x 28.5 x 4cm
Ultramarine Surfer
Sophie von HellermannUltramarine Surfer, 2021
180 x 230cm
Twice as good
Gisela McDanielTwice as good, 2023
157.5 x 121.9 x 10.2cm
Untitled
Thea DjordjadzeUntitled, 2017
49 x 29 x 6.5cm
Fairy Dance
Sophie von HellermannFairy Dance, 2021
130 x 150cm
Weiveld (ii)
Harvest
Sophie von HellermannHarvest, 2022
180 x 230cm
Untitled
Thea DjordjadzeUntitled, 2018
41.5 x 28.5 x 4cm
Untitled
Thea DjordjadzeUntitled, 2025
150 x 120 x 4cm
Paloa’an Míhinilat
Gisela McDanielPaloa’an Míhinilat, 2021
165.1 x 152.4 x 40.6cm
Spring Ritual
Sophie von HellermannSpring Ritual, 2022
180 x 230cm
Night Surfing
Sophie von HellermannNight Surfing, 2022
180 x 230cm
Never ending journey
Gisela McDanielNever ending journey, 2023
109.2 x 83.8 x 7.6cm
Dustin, Georgia
Rhinegold
Sophie von HellermannRhinegold, 2022
160 x 200cm
Equanimity #1
Gisela McDanielEquanimity #1, 2022
38.1 x 55.9cm
Untitled
Thea DjordjadzeUntitled, 2010
⌀17.78cm
KAFH
Michael MüllerKAFH, 2019
206 x 166 x 6cm
Revolution
Donna KukamaRevolution, 2017
70 x 57 x 0.6cm
Desde el escombro IV
Triangle
À la sauce Robert
Byron
Igshaan AdamsByron, 2024
264 x 180cm
Untitled
Thea DjordjadzeUntitled, 2013
13 x 145.5 x 37.5cm
Zither
Sophie von HellermannZither, 2021
150 x 130cm
Push through
Gisela McDanielPush through, 2023
190.5 x 152.4 x 15.2cm
Three Windows

By applying imagery as short-hand for both her own art making process or specific (cultural) signs and figurations, Gerda Scheepers explores the medium of painting. Content and formal elements of painting are remixed through cut, copy and paste with the results actively pursuing ambiguity. Her paintings, as well as her sculptures, operate like devices for containment that, ultimately crucially, fail to contain. Scheepers delves into the techniques of collage and decoupage, using them as visual and linguistic instruments to disrupt the continuum of the familiar and enable a continuum between apparently disparate registers. Simultaneously, she employs collage as a tool to didactically, and sometimes humorously, imitate the brutal fragmentation brought on by life’s daily efforts. In Scheepers’ words, “the studio functions somehow as a capsule, where possibilities and restrictions play themselves out.” ...

Gerda Scheepers: Artworks
History of a hand
The Shame
Gerda ScheepersThe Shame, 2016
182 x 240cm
Pondoland pocket
Gerda ScheepersPondoland pocket, 2014
93 x 94 x 20cm
Temple / Template
Volume
Gerda ScheepersVolume, 2020
90 x 70 x 3.2cm
Pillow Riley (small)
K
Gerda ScheepersK, 2017
43 x 53cm
The Style
Gerda ScheepersThe Style, 2016
165 x 220cm
64 A/B (yellow)
Gerda Scheepers64 A/B (yellow), 2019
79.5 x 64 x 7cm
CLOUDS
Gerda ScheepersCLOUDS, 2024
300 x 220cm
COPYSHOP GOD
Gerda ScheepersCOPYSHOP GOD, 2024
220 x 300cm
MOTHER BROTHER GAZA
ROOF (III)
Gerda ScheepersROOF (III), 2024
300 x 220cm
Isa Genzken
Gerda ScheepersIsa Genzken, 2024
40 x 30 x 4cm
COPY ME
Gerda ScheepersCOPY ME, 2024
40 x 30 x 4cm
Tie Back
Gerda ScheepersTie Back, 2024
40 x 30 x 4cm
Look back
Gerda ScheepersLook back, 2024
40 x 30 x 4cm
Hands
Gerda ScheepersHands, 2023
40 x 30 x 4cm
ROOF (I)
Gerda ScheepersROOF (I), 2023
40 x 30 x 4cm
ROOF (II)
Gerda ScheepersROOF (II), 2023
40 x 30 x 4cm
HEADREST
Gerda ScheepersHEADREST, 2024
40 x 40 x 4cm
FALL
Gerda ScheepersFALL, 2024
40 x 40 x 4cm
Snow
Gerda ScheepersSnow, 2024
40 x 40cm
Three Windows
blank projects
Gallery
blank projects
Cape Town

Based in a 360 sqm gallery in Woodstock, Cape Town, blank was founded by Jonathan Garnham as a project space in 2005 and transitioned into a commercial gallery during 2012. The gallery represents emerging and increasingly established artists from the region in a critically engaged programme that emphasises contemporaneity, with a focus on concept and abstraction in the African context. With an exhibition programme that has a reputation for shaping the discourse around contemporary art in South(ern) Africa, and participation in prominent local and international art fairs, we seek to place our artists' work in a wide range of private and institutional collections. In addition, blank continues to promote the visual arts in our community through ongoing projects that support the sector. ...

Unlock Price & Inquiry Access