The painting showcases a vibrant and surreal composition, with a bold use of colors and organic, imaginative shapes. The central focus is a magnifying glass revealing a human brain, surrounded by a lush, tropical foliage and various symbolic elements. The artist employs a distinctive expressionistic style, blending surrealistic and figurative elements to create a thought-provoking narrative. The work seems to explore themes of perception, consciousness, and the relationship between the natural world and the human psyche. ...
Gisela McDaniel (b. Bellevue, NE 1995) is a diasporic, indigenous Chamorro artist. Her work is reflecting the journey of womxn and non-binary people who have survived sexual trauma. By interweaving assemblages of oil painting, immersive audio sequences and objects connected to her subjects, she intentionally incorporates survivor’s voices in order to subvert traditional power relations and to enable both individual and collective healing. She aims to give a voice, safe space, as well as a confidential vehicle for survivors to not only share their experiences, but to also explore how those experiences have affected them long-term. Working primarily with womxn who identify as Black Indigenous Women of Colour (BIWOC), her work deliberately disrupts and responds to historical and contemporary patterns of female silence. There is no denying the ways in which global histories of enslavement, militarisation, colonisation, and patriarchal violence continue to inform the manner in which her subjects reflect on their personal stories of ‘waymaking’. Their calls to reclaim their bodies and identities illuminate active resistance to these same systems. Paul Gauguin is a primary but not exclusive figure whose work McDaniel engages and converses in regard to his artistic and colonial legacy in the Pacific. As a Pacific Island artist, McDaniel denounces Gauguin’s sexual and racial fantasy forged from a position of patriarchal, colonialist power and regains the Pacific territory and visual framework Gauguin had occupied for himself. ...
Self portraiture in surrounding, in landscape, in DNA, in objects, in material, in eyes, in stories, in images, in the present, in the past, in plastic, in the familiar., 2021
Founded by Fabienne Leclerc in 2001, In Situ began in the 13th district of Paris alongside a group of galleries in rue Louise Weiss. After seven years in the 6th, the gallery moved to the Marais in November 2013, then to the Stalingrad district in January 2017.
Since October 2019, In Situ - fabienne leclerc has moved into a new space in Romainville, accompanied by Air de Paris, gallery Jocelyn Wolff, gallery Sator the FRAC Ile-de-France as well as the Fiminco Foundation.
The ambition of In Situ - fabienne leclerc is to promote young and emerging artists in France and internationally, and to support its established artists in the long term. The gallery strives to support and promote the work of its artists in the gallery, in associated museums and institutions, and to produce and edit artist catalogues and books. ...
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