How has the Summer passed #3

Ha Manh Thang

How has the Summer passed #3, 2021175 x 100cmSign in to view price
Details
MaterialGallery
acrylic, acrylic medium, charcoal, gold leaf and oil on canvas and silkGalerie Quynh
Description
Human-crafted. AI-refined.

Visual Elements: This abstract painting is a captivating riot of warm hues, with a predominance of fiery reds, oranges, and yellows. The canvas is densely textured, with thick, expressive brushstrokes and layers of paint creating a sense of depth and movement. Subject Matter: The artwork does not depict any recognizable objects or figures, instead presenting an entirely abstract composition. The brushstrokes and layering of colors create a sense of organic, natural forms and patterns. Artistic Style and Technique: The artwork is executed in a bold, expressionistic style, with the artist's gestural brushwork and use of vibrant pigments serving as the primary means of expression. The textured surface and layered application of paint suggest an intuitive and emotive approach to the creative process. Context: This abstract painting likely reflects the artist's desire to evoke a primal, emotional response from the viewer, drawing on the inherent power and energy of color and form to convey a sense of the natural world's raw, unrestrained vitality. ...

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Ha Manh Thang
Artist
Ha Manh Thang
B.1980, Vietnamese

Ha Manh Thang’s work is a poetic meditation on the passage of time, memory and place. His paintings speak to viewers about mindfulness and the vicissitudes of life. Seeped through with a quiet lyricism informed by Ha’s interests in Western jazz and classical East Asian poetry, and inspired just as much by chance encounters as elaborate conceptual starting points, his paintings are, in the artist’s words, ‘attempts to better understand oneself in relation to nature, and to express what one cannot grasp’. ...

Ha Manh Thang: Artworks
How has the Northeast Moonsoon passed by ? #2
Ha Manh Thang
How has the Northeast Moonsoon passed by ? #2, 2021
175 x 100cm
How has the pure Autumn passed #3
Ha Manh Thang
How has the pure Autumn passed #3, 2021
96 x 70cm
How has the Summer passed #3
Ha Manh Thang
How has the Summer passed #3, 2021
175 x 100cm
Lotus Pedestal Study #1
Ha Manh Thang
Lotus Pedestal Study #1, 2019
41.5 x 60cm
Midnight #9
Ha Manh Thang
Midnight #9, 2018
290 x 150cm
The Waves #1
Ha Manh Thang
The Waves #1, 2018
100 x 165cm
Lotus Pedestal #8
Ha Manh Thang
Lotus Pedestal #8, 2019
78.5 x 110cm
Saigon Landscape, no. 2
Ha Manh Thang
Saigon Landscape, no. 2, 2010
140 x 230cm
Hanoi Landscape, no. 4
Ha Manh Thang
Hanoi Landscape, no. 4, 2010
140 x 230cm
The Black Imperial Robe
Ha Manh Thang
The Black Imperial Robe, 2014
100 x 165cm
Vietnamese Imperial Robe #3
Ha Manh Thang
Vietnamese Imperial Robe #3, 2014
120 x 150cm
The Lake at Noon, no. 2
Ha Manh Thang
The Lake at Noon, no. 2, 2015
116.5 x 68cm
The Lake in the Rain, no. 2
Ha Manh Thang
The Lake in the Rain, no. 2, 2015
116.5 x 68cm
Lotus pedestal study #6
Ha Manh Thang
Lotus pedestal study #6, 2019
60 x 84cm
Autumn Inspiration #3
Ha Manh Thang
Autumn Inspiration #3, 2022
262.5 x 122 x 38cm
Boundless Green Forest
Ha Manh Thang
Boundless Green Forest, 2022
262.5 x 122 x 38cm
Heaven and Earth receding in the distance
Ha Manh Thang
Heaven and Earth receding in the distance, 2022
262.5 x 122 x 38cm
Fading Spring
Ha Manh Thang
Fading Spring, 2022
262.5 x 122 x 38cm
Frosty breeze
Ha Manh Thang
Frosty breeze, 2022
262.5 x 122 x 38cm
Distant memory
Ha Manh Thang
Distant memory, 2022
262.5 x 122 x 38cm
Secluded night
Ha Manh Thang
Secluded night, 2022
262.5 x 122 x 38cm
Galerie Quynh
Gallery
Galerie Quynh
Ho Chi Minh City

Recognized as Vietnam’s leading contemporary art gallery, Galerie Quynh has been promoting contemporary art practice in the country for over two decades. The gallery is known internationally for its consistently focused programming and educational initiatives. Working with a select group of emerging, mid-career and established Vietnamese artists, the gallery also exhibits the work of distinguished artists from around the world. In keeping with its mission to develop a sustainable ecosystem for the arts in Vietnam, the gallery collaborates with artists, curators, museums and art spaces locally and internationally to organize talks and lectures as well as to produce publications in English and Vietnamese. In May 2014 the gallery founded the not-for-profit educational initiative Sao La directed by artists Tung Mai and Nguyen Kim To Lan. Sao La has since evolved into an independent artist collective spearheaded by To Lan and Dalat-based artist Nguyen Duc Dat. In summer 2020 with support from the Goethe-Institut, the gallery launched the not-for-profit CáRô, an educational initiative that provides art education for students aged 13 – 18 who show demonstrative interest in the arts. ...

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