acrylic, acrylic medium, charcoal, lacquer, gold leaf and oil on canvas and silk, mica frame, steel base, wooden tableGalerie Quynh
Description
Human-crafted. AI-refined.
This large, vibrant artwork features a striking blue hue that dominates the canvas. The composition is characterized by a dynamic, textured surface, with layers of paint creating a sense of depth and movement. The overall effect is one of visual complexity and intensity, suggesting a depth of artistic expression. While the piece does not depict any recognizable subject matter, the bold use of color and the artist's distinctive technique convey a powerful emotional resonance. This work is likely an example of abstract expressionism, where the process of creating the artwork is as important as the final product. The artist's intention may have been to evoke a sense of the sublime or to challenge the viewer's perceptions of what constitutes art. ...
Ha Manh Thang’s work is a poetic meditation on the passage of time, memory and place. His paintings speak to viewers about mindfulness and the vicissitudes of life. Seeped through with a quiet lyricism informed by Ha’s interests in Western jazz and classical East Asian poetry, and inspired just as much by chance encounters as elaborate conceptual starting points, his paintings are, in the artist’s words, ‘attempts to better understand oneself in relation to nature, and to express what one cannot grasp’. ...
Recognized as Vietnam’s leading contemporary art gallery, Galerie Quynh has been promoting contemporary art practice in the country for over two decades. The gallery is known internationally for its consistently focused programming and educational initiatives. Working with a select group of emerging, mid-career and established Vietnamese artists, the gallery also exhibits the work of distinguished artists from around the world. In keeping with its mission to develop a sustainable ecosystem for the arts in Vietnam, the gallery collaborates with artists, curators, museums and art spaces locally and internationally to organize talks and lectures as well as to produce publications in English and Vietnamese. In May 2014 the gallery founded the not-for-profit educational initiative Sao La directed by artists Tung Mai and Nguyen Kim To Lan. Sao La has since evolved into an independent artist collective spearheaded by To Lan and Dalat-based artist Nguyen Duc Dat. In summer 2020 with support from the Goethe-Institut, the gallery launched the not-for-profit CáRô, an educational initiative that provides art education for students aged 13 – 18 who show demonstrative interest in the arts. ...
