pigmented natural lacquer, steel wire on wood panelFranz Kaka
Description
Human-crafted. AI-refined.
This contemporary artwork features a striking composition of abstract shapes and patterns in rich, earthy tones. The predominant color is a deep, rusty red that covers the entire surface, with variations in shading creating a sense of depth and texture. The repeated, U-shaped forms arranged in rows evoke a sense of rhythm and movement, suggesting a possible reference to musical or organic motifs. The artist's distinctive technique, likely involving layering and manipulation of materials, has resulted in a captivating work that invites close observation and reflection on the interplay of form, color, and materiality. ...
HaeAhn Paul Kwon Kajander is the collaborative artistic practice of HaeAhn Kwon and Paul Kajander. Through the merging of their given and family names, they aim to challenge conventional identification categories, such as gender, ethnicity, and individualism, which are often reinforced through proprietary terms. Their artistic work is characterized by a responsive approach to installation and assemblage, where research and conceptual exploration find expression through material improvisation. For instance, in their solo exhibition "maximum suffering along the way" (2019), driven by their ongoing research into the violent history of modernization in South Korea, they conducted experiments with traditional lacquer techniques known as ottchil. These techniques serve as a material and conceptual foundation for their new body of work, which delves into the burdensome history of urbanization. To embrace more environmentally sustainable materials, they have created a series of relief works utilizing the dry-lacquer technique. This technique involves layering glutinous rice powder, ottchil, linen, ash, and clay powder. The combination of unstable organic matter with lacquer offers several benefits, and possesses natural repellent properties against insects, enhancing the durability of the artwork.
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