natural lacquer with pigments and structural colour and mother of pearl on salvaged plywoodFranz Kaka
Description
Human-crafted. AI-refined.
This artwork presents a bold and striking circular composition in a deep maroon hue. The surface exhibits a textured, almost encrusted appearance, with scattered gold-toned elements that add visual interest and a sense of depth. The overall aesthetic suggests an abstract or minimalist approach, focusing on color, form, and the expressive qualities of the materials used. The artist's distinctive technique and the piece's mysterious, introspective nature invite the viewer to contemplate the deeper intentions and meanings behind this contemporary abstract work. ...
HaeAhn Paul Kwon Kajander is the collaborative artistic practice of HaeAhn Kwon and Paul Kajander. Through the merging of their given and family names, they aim to challenge conventional identification categories, such as gender, ethnicity, and individualism, which are often reinforced through proprietary terms. Their artistic work is characterized by a responsive approach to installation and assemblage, where research and conceptual exploration find expression through material improvisation. For instance, in their solo exhibition "maximum suffering along the way" (2019), driven by their ongoing research into the violent history of modernization in South Korea, they conducted experiments with traditional lacquer techniques known as ottchil. These techniques serve as a material and conceptual foundation for their new body of work, which delves into the burdensome history of urbanization. To embrace more environmentally sustainable materials, they have created a series of relief works utilizing the dry-lacquer technique. This technique involves layering glutinous rice powder, ottchil, linen, ash, and clay powder. The combination of unstable organic matter with lacquer offers several benefits, and possesses natural repellent properties against insects, enhancing the durability of the artwork.
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