Materials
Materials

Hana Miletić

Materials, 202043 x 34 x 3cmSign in to view price
Details
MaterialGallery
hand-woven textile, (apple green organic wet-spun linen and apple green organic cotton, orange silk and orange organic cotton)The approach
Description
Human-crafted. AI-refined.

The image depicts the side-view mirror of a vehicle, with a bright yellow safety vest draped over it. The contrast between the dark, sleek exterior of the car and the vibrant yellow of the vest creates a striking visual composition. The use of the vest, a common safety accessory, suggests a practical, utilitarian purpose, while the placement in the mirror frame gives the scene a unique, almost sculptural quality. The artwork appears to explore the interplay between function and form, drawing attention to the everyday objects that often go unnoticed in our surroundings. ...

Similar Artworks
IOU
Birke Gorm
IOU, 2021
50 x 12 x 9cm
Koekelberg Section 1
Marina Pinsky
Koekelberg Section 1, 2020
6 x 50 x 41cm
LOL (Lonely Old Loser)
Jen Smith
LOL (Lonely Old Loser), 2014
228.6 x 228.6cm
Dingbat Theater
Carmen Argote
Dingbat Theater, 2016
63.5 x 57.15 x 49.53cm
Golden Hat Mandrel 16, 19/4 J, 59L
Marina Pinsky
Golden Hat Mandrel 16, 19/4 J, 59L, 2020
87cm ⌀30cm
I CAN SMILE AT THE PAST no. 2 (The Pagan)
Birke Gorm
I CAN SMILE AT THE PAST no. 2 (The Pagan), 2018
200 x 100cm
It was someone's home - 2
Vo Tran Chau
It was someone's home - 2, 2019
37.5 x 40.2 x 2.7cm
Seated breath
Carmen Argote
Seated breath, 2024
177 x 121 x 3cm
IOU
Birke Gorm
IOU, 2021
50 x 10 x 6cm
Smooth and rough
Vo Tran Chau
Smooth and rough, 2019
95 x 135cm
Hansaviertel Section 2
Marina Pinsky
Hansaviertel Section 2, 2020
7 x 43 x 50cm
LOL (Loud Outrageous Laughter)
Jen Smith
LOL (Loud Outrageous Laughter), 2014
223.52 x 223.52cm
Feudal Fields
huswif (TREE)
Birke Gorm
huswif (TREE), 2021
77 x 32 x 10cm
Nha den Cho Quan
Vo Tran Chau
Nha den Cho Quan, 2020
187 x 248cm
A teacher
Vo Tran Chau
A teacher, 2022
111 x 78cm
I CAN SMILE AT THE PAST no. 3 (The Executioner)
Birke Gorm
I CAN SMILE AT THE PAST no. 3 (The Executioner), 2018
200 x 100cm
Dog on Fence
Carmen Argote
Dog on Fence, 2020
135 x 100 x 5cm
Hansaviertel Section 4
Marina Pinsky
Hansaviertel Section 4, 2020
8 x 49 x 28cm
Mission Accomplished I
II
& III
Jen Smith
Mission Accomplished I II & III, 2009
76.2 x 609.6cm
Totality Study #1: Internet, a definition
Zach Blas
Totality Study #1: Internet, a definition, 2015
LOL (Lovers Often Languish)
Jen Smith
LOL (Lovers Often Languish), 2014
238.76 x 238.76cm
Peanut
Carmen Argote
Peanut, 2020
82 x 62 x 4cm
Mapa ng Kapangyarihan at Gahom (Map of Power and Hegemony)
Cian Dayrit
Mapa ng Kapangyarihan at Gahom (Map of Power and Hegemony), 2018
Turtle Cam
Erin Jane Nelson
Turtle Cam, 2025
25.4 x 21.6 x 24.8cm
some girls’ mothers are bigger than other girls‘ mothers (03)
Birke Gorm
some girls’ mothers are bigger than other girls‘ mothers (03), 2020
106 x 102cm
Contra-Internet: Jubilee 2033
Zach Blas
Contra-Internet: Jubilee 2033 , 2015
WE MAKE THE RULES
Jen Smith
WE MAKE THE RULES, 2010
61 x 549cm
Tiis Ganda, Kutis Amerika
Cian Dayrit
Tiis Ganda, Kutis Amerika, 2018
Lying in the still waters of erasure
Erin Jane Nelson
Lying in the still waters of erasure, 2023
111.8 x 86.4 x 10.2cm
ulterior motives (young
Birke Gorm
ulterior motives (young, 2021
110 x 160cm
Saigon Tram
Vo Tran Chau
Saigon Tram, 2019
130 x 218cm
Salt River
Erin Jane Nelson
Salt River, 2025
34.9 x 27.3cm
Zelda Landscape: dawn
Carmen Argote
Zelda Landscape: dawn, 2007
33 x 46 x 7cm
Totality Study #2: Internet, a .gif
Zach Blas
Totality Study #2: Internet, a .gif, 2015
Duty Calls
Jen Smith
Duty Calls, 2010
55.88 x 38.1cm
18 Sept
Marina Pinsky
18 Sept, 2024
25 x 52.5 x 3cm
Yuta Nagi Panaad (Promised Land)
Cian Dayrit
Yuta Nagi Panaad (Promised Land), 2018
The Profitless Gift
Jala Wahid
The Profitless Gift, 2021
A boy
common crazy I
Birke Gorm
common crazy I, 2020
149 x 167cm
Hana Miletić
Artist
Hana Miletić
B.1982, Croatian

Constantly traversing the domestic with the municipal, Hana Miletić creates hand-woven pieces which meditate on care and restoration within public space. Echoing the formal elements of Abstract Expressionism, with their grid-like structure and bright palette, each piece begins not in the studio but in the street. Using her background in photography, Miletić documents acts of repair in urban environments, capturing perhaps a building being stitched back together, or smaller details, like a car window being bound by tape. Back in the studio, Miletić will tenderly render these metropolitan bandages in textile form, using generational techniques of hand-weaving, which require patience and, most importantly, time. This contrast of the fast-paced flux of the depicted city habitats and the endurance of Miletić’s material processes sheds light on the artist’s devotion to care and custodianship— not simply in relation to the protection of objects and public space but to the wider conservation of transnational relationships concerning migration and trade. This empathic sensibility is tangible in the works, woven into each thread by Miletić. ...

Hana Miletić: Artworks
Materials
Hana Miletić
Materials, 2020
20.5 x 11 x 2cm
Materials
Hana Miletić
Materials, 2021
163 x 68 x 1cm
Materials
Hana Miletić
Materials, 2021
250 x 150 x 3cm
Materials
Hana Miletić
Materials, 2020
101 x 147 x 2.5cm
Materials
Hana Miletić
Materials, 2021
156 x 260 x 1cm
Materials
Hana Miletić
Materials, 2021
30 x 24 x 2cm
Materials
Hana Miletić
Materials, 2020
26 x 20 x 1cm
Materials
Hana Miletić
Materials, 2019
19 x 20 x 1cm
Incompatibles (Unitas)
Hana Miletić
Incompatibles (Unitas), 2019
190 x 150 x 0.5cm
Materials
Hana Miletić
Materials, 2018
217 x 80 x 5cm
Materials
Hana Miletić
Materials, 2022
28 x 61 x 6cm
Materials
Hana Miletić
Materials, 2022
73 x 26 x 7cm
Felt workshops XII-XXI
Hana Miletić
Felt workshops XII-XXI, 2022
Materials
Hana Miletić
Materials, 2023
71 x 150cm
Materials
Hana Miletić
Materials, 2023
200 x 136cm
Materials
Hana Miletić
Materials, 2022
95 x 180 x 140cm
Materials
Hana Miletić
Materials, 2018
20 x 120 x 3cm
Materials
Hana Miletić
Materials, 2022
57 x 126 x 1cm
Materials
Hana Miletić
Materials, 2022
210 x 120 x 20cm
Materials
Hana Miletić
Materials, 2022
53 x 21 x 3cm
Materials - Arena, Pula
Hana Miletić
Materials - Arena, Pula, 2019
200 x 400 x 5cm
Materials
Hana Miletić
Materials, 2021
51 x 42 x 1cm
Materials
Hana Miletić
Materials, 2020
44 x 65 x 1cm
Materials
Hana Miletić
Materials, 2021
46 x 40 x 3cm
Materials
Hana Miletić
Materials, 2020
32 x 23 x 5cm
Softwares
Hana Miletić
Softwares, 2019
280 x 158 x 1cm
Materials
Hana Miletić
Materials, 2020
43 x 34 x 3cm
Materials
Hana Miletić
Materials, 2020
44 x 63 x 0.5cm
Materials
Hana Miletić
Materials, 2019
41 x 13 x 2cm
Incompatibles (Unitas)
Hana Miletić
Incompatibles (Unitas), 2018
180 x 150 x 0.5cm
Materials
Hana Miletić
Materials, 2022
217 x 70cm
Materials
Hana Miletić
Materials, 2025
200 x 100 x 5cm
The approach
Gallery
The approach
London

The Approach is co-directed by Jake Miller and Emma Robertson. Located in Bethnal Green above The Approach Tavern, for over twenty years it has operated an internationally recognised programme from its East London base. The gallery is known for discovering artists and establishing their careers as well as making inter-generational curated group shows a strong focus. The list of represented artists includes the Estates of important overlooked female artists Heidi Bucher and Maria Pinińska Bereś, as well as seminal British collage artist John Stezaker, together with established and emerging artists including Magali Reus, Peter Davies, Lisa Oppenheim, Sandra Mujinga, Pam Evelyn, Sara Cwynar, Sam Windett and Caitlin Keogh. Over the years the gallery has operated parallel programmes in additional gallery spaces in London’s West End (The Approach W1) and in Shoreditch (The Reliance). The gallery is currently based solely in its original East End location and continues to expand its programme, showcasing its represented artists in the main gallery space, and both represented and non-represented artists in The Annexe, a smaller, more experimental space at the back of the building. ...

Unlock Price & Inquiry Access