The artwork features a collection of white ceramic tubes arranged in a sculptural composition on a minimalist grey surface. The shapes are simple and organic, with the tubes varying in size and orientation, creating an intriguing interplay of forms. The smooth, matte finish of the ceramic material and the overall sparse, industrial-like setting suggest a focus on the inherent qualities of the medium and the exploration of space and volume. The artist's intention may have been to challenge the viewer's perception of everyday objects and to invite contemplation on the aesthetic potential within the mundane. ...
Hubert Duprat was born in 1957 in Nérac in Lot-et-Garonne, he lives and works in the South of France. Sumptuous, demanding and complex, the Duprat oeuvre draws inspiration from chance and the empirical, combining the discovery of objects, remnants and texts in a testing-out of matter, technique and dexterity. The artist is equally happy in the natural world or working with strange minerals (iron pyrites, calcite, ulexite, etc.), species that defy classification (amber, coral, etc.) and everyday industrial materials (polystyrene, concrete, paraffin, modelling clay, etc.) His repurposed processes come largely from the crafts – marquetry, goldsmithery, upholstery – but also from such vernacular domains as string art. ...
To avoid any narcissism the gallery will not bear a name, but instead mark of the end of a century during which the Fine Arts are exhausted of unknown practices and forms, Art: Concept was born. In 1997, the gallery joined its friends in the 13th district of Paris to be part of the adventure of the brand new rue Louise Weiss. Despite unforgettable years in this district, the move to the Marais was inevitable. Today, the gallery is located in a private passage (passage Sainte Avoye) and represents artists with whom it has been working for 25 years as well as young graduates. Trying to reflect the evolution of society, the gallery emphasises its proposals in a multi-faceted reflection on individuality and collectivity in a wide range of contexts. Like Janus, it looks both to the past and the future. Today's world is so in need of reference points that it's reassuring to invent a future, thanks to artists, as well as to compare it to the past. We invite you to ask for it, we will be at the gallery, very happy to explain it to you. ...
