The Floor
The Floor
The Floor
The Floor
The Floor
The Floor
The Floor
The Floor
Details
MaterialGallery
digital print on vinylHigh Art
Description
Human-crafted. AI-refined.

This striking floor installation features a captivating, large-scale mosaic depicting a swirling, blue vortex at its center. The composition utilizes a vibrant palette of earthy tones and textures, creating an optical illusion that draws the viewer into the depth of the piece. The artist skillfully employs a mixed-media approach, combining mosaic tiles, paint, and other materials to achieve a dynamic, three-dimensional effect. This visually arresting work invites the viewer to consider the juxtaposition of natural and man-made elements, as well as the relationship between the physical and the metaphysical. ...

Similar Artworks
Orca
Ed Fornieles
Orca, 2011
219 x 230 x 77cm
In The Beginning
War Room
Ed Fornieles
War Room, 2015
85.1 x 58.4 x 1.3cm
Cut & Fold #1
Richard Deacon
Cut & Fold #1, 2022
203 x 165 x 114cm
Multiple Clothing Self Expressions
Stephen Willats
Multiple Clothing Self Expressions, 1997
Tulip Fever
Ed Fornieles
Tulip Fever, 2017
64 x 100cm
Flat 27
Richard Deacon
Flat 27, 2016
34.5 x 52.3 x 44cm
Anniversary Editions #1: Cornelia Parker Cold Dark Matter: An Exploded View. A work in progress
Cornelia Parker
Anniversary Editions #1: Cornelia Parker Cold Dark Matter: An Exploded View. A work in progress, 2016
40.64 x 32.51cm
Multiple Clothing, Pilot Drawing Two
Stephen Willats
Multiple Clothing, Pilot Drawing Two, 1991
60 x 82cm
 chair
Philippe Malouin
chair, 2021
89 x 22 x 35cm
Multiple Clothing Personal Concept Bag
Stephen Willats
Multiple Clothing Personal Concept Bag, 1993
The Lookout
Simon Periton
The Lookout, 2015
101 x 54 x 6.3cm
British Birds of Prey: Red Kite
Marcus Coates
British Birds of Prey: Red Kite, 2022
80 x 60 x 14cm
Cloud gazing (americium)
Yuri Pattison
Cloud gazing (americium), 2024
250 x 200 x 50cm
The Spoilt at War
Matt Copson
The Spoilt at War, 2017
Our flag means death
Ed Fornieles
Our flag means death, 2022
107.5 x 107.5cm
Untitled  photographed by David Ward (Chisenhale Gallery 29 July 1986)
Richard Deacon
Untitled photographed by David Ward (Chisenhale Gallery 29 July 1986), 1981
50.8 x 40.6cm
Ghost Notes: Yes/No
Cornelia Parker
Ghost Notes: Yes/No, 2021
50 x 33.5 x 6cm
Diamond composition 3: Angel of arrival
Artist
John Russell
B.1963, British

John Russell works across installation, text, performance, and film. As a pivotal figure, he co-founded the artist collective known as BANK in 1990, actively contributing through the 90s with over fifty exhibits, events, and numerous literary contributions. After departing from BANK in January 2000, Russell's endeavors have encompassed both solo and collaborative efforts, culminating in exhibitions, curatorial projects, and an innovative approach to artist publications. A standout example of this approach is the collectively authored Frozen Tears trilogy. This series bridges the divide between mainstream best-sellers and the horror genre, incorporating contributions from notable figures such as Art & Language, Ulrike Meinhof, Lucie McKenzie, and Fabienne Audéoud. Additionally, Russell's visual artworks often exhibit a dualistic strategy. While ostensibly appearing as easily interpretable art, they continuously challenge and disrupt the viewer's engagement with the image, skillfully navigating meaning and evoking a sense of alienation. ...

John Russell: Artworks
Diamond composition 3: Angel of arrival
John Russell
Diamond composition 3: Angel of arrival, 2024
65.5 x 49 x 3.5cm
Diamond composition 2: Angel of arrival
John Russell
Diamond composition 2: Angel of arrival, 2024
65.5 x 49 x 3.5cm
Diamond composition 1: Angel of arrival
John Russell
Diamond composition 1: Angel of arrival, 2024
65.5 x 49 x 3.5cm
The Floor
Angel Burst 1
John Russell
Angel Burst 1, 2024
125 x 146 x 112cm
Angel Burst 2
John Russell
Angel Burst 2, 2024
67 x 79 x 107cm
High Art
Gallery
High Art
Paris, Arles

High Art was born in 2013 from an interest in bringing together distinct perspectives in advanced practices that are significant to current paradigms in contemporary art. Since its inception, High Art has functioned to provide an economic and logistic framework for artists by reexamining established modes of art commerce and production while attempting to account for an expanding field of art. The gallery has fostered not only the emergence of artists (Olga Balema, Max Hooper Schneider, Julien Creuzet, Matt Copson, Lucy Bull, Hun Kyu Kim, Mélanie Matranga) but also the emergence of new networks and economies (Paris Internationale, Shanaynay). In May of 2017, High Art inaugurated a new space in the heart of the 9th arrondissement of Paris. The space, which is located on the ground floor of an 19th century Haussmannian building, is notable for housing Georges Bizet while he wrote the opera “Carmen”. In December of 2020, High Art opened a second location in a 12th century chapel in the heart of Arles, France. ...

Unlock Price & Inquiry Access