Kim Yong-Ik
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This contemporary artwork features a composition dominated by a repeating pattern of golden circular shapes against a grey and black backdrop. The overall visual effect is one of a serene, ethereal landscape with a dreamlike quality. The artist's use of geometric forms and a muted color palette creates a sense of calm and contemplation, inviting the viewer to engage with the artwork on a deeper level. The work appears to be a screen-print or a lithograph, showcasing the artist's mastery of the medium and their ability to craft a visually striking and thought-provoking piece. ...
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Kim Yong-Ik
B.1947Influenced by Dansaekhwa, the Korean monochrome painting, and the Japanese Mono-ha movement, Kim Yong-Ik established his career in the late 1970s with his Plane Object paintings, a series of airbrush paintings on unstretched canvases that relate to these traditions. In the 1980s, having completed a thesis on Marcel Duchamp, Kim moved from the ‘Plane Object’ series to more abstract and geometric languages. During the 1980s and 1990s, he developed increasingly experimental work by using scraps and thus including forces greater than his own imprint, such as stains, hair or dust. By the early 1990s, Kim develops his “polka dot” series consisting of paintings depicting simple and serialized arrangements of circles. In 1999, Kim helped establish one of Korea’s leading exhibition spaces known as “art space pool.” ...