Klara Zetterholm

Wheel II, 202460 x 60cm3200 EUR

Details

Material

mdf, synthetic clay, acrylics, varnish

Description

Human-crafted. AI-refined.

This antique clock face showcases a captivating design with intricate details and a weathered, aged appearance. The overall composition features a circular layout adorned with decorative elements, including floral motifs and fantastical creatures, all set against a mottled, textured background that suggests the passage of time. The prominent numbers and hands indicate the clock's functional purpose, while the artistic style and techniques employed evoke a sense of historical significance and craftsmanship. This piece likely served as an ornamental timepiece, reflecting the artistic sensibilities and design preferences of a bygone era. ...

Similar Artworks

Trisha BagaSkylight, 2024Price on Request

Trisha BagaIMAX, 2023Price on Request

Erin Jane NelsonLying in the still waters of erasure, 202317500 USD

Diane García RamosMetate, 20221500 USD

Meriem BennaniLa Âtika, 2020Price on Request

Lotus L. KangMesoderm (Gut), 2023Price on Request

Bianca BondiBloom (Livre de Famille), 2022Price on Request

Elaine Cameron-WeirCrucifixes, 202235000 USD

Sophia Al MariaThe Camera, A Mirror, A Sniper, A Femme (Beast Type Song Scripts), 2020Price on Request

Marguerite HumeauThe Dead, The Dancers, and The Air, A shoal of fish performing a breathing ritual in an attempt to bring their dead back to life, 2019Price on Request

Artist

Klara Zetterholm

B.1991, Swedish

Klara Zetterholm (b. 1991, Stockholm, SE) describes her works as situated broadly in the field of sculpture, involving painting, installation, and assemblage. She graduated from the Royal Academy of Art in Stockholm in 2022 and her MFA exhibition was awarded a grant from the Bonnier Foundation. Her latest works include bas-reliefs, mostly engaging in faking and forging materials and antiqueness through patina, motifs, and faux stone or wood painting. With a background in scenography and decor painting, the artist employs methods used in stage and set design in order to create false narratives, mainly of archeology and natural history. Drawn to ideas of nonlinear time, mythological figures and science fiction, her works convey a sense of uncanniness and reflections on binaries such as the ultramodern and the prehistoric, the prosperous and the apocalyptic. ...