Kume Assurini
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The image depicts Hover, a product or service that aims to provide an alternative to the traditional media platforms such as The Wall Street Journal, New York Times, Bloomberg, and Medium. The visual elements showcase the Hover interface, which appears to be a clean, minimalist design with a dark background and contrasting white text. The composition highlights the various media sites that Hover claims to offer an alternative to. The subject matter revolves around the concept of providing a different, potentially more user-friendly or customizable way to consume news and information online. The artistic style and technique seem to emphasize simplicity and functionality, aligning with the product's intended purpose. The context suggests that Hover is positioning itself as a solution for individuals who are tired of the traditional media landscape and are seeking a more tailored or curated reading experience. ...
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Kume Assurini
A painter, weaver, ceramist, and mother of four children. She was born during a period of traumatic change for her people, the Awaete, during what amounts to an ethnocide against the Indigenous peoples of Brazil. Despite growing up in a traditional family, it was her mother-in-law that awakened in her the importance of strengthening and learning their ancestral culture, whose practices and knowledge must be passed from generation to generation. In this exhibition, the artist, in partnership with the cultural producer and designer Carla Romano, seeks to look beyond the reproduction on canvas of graphic patterns that were once corporal, deepening the theme "Body" to enter further into layers of interpretation, signs and meaning, to consider the past, present and future of the sacred geometry of connection with the spirits of the Awaete people. ...