Vidya Gastaldon

Advaita (tétraèdes), 200732000 EUR

Details

MaterialGallery

Description

Human-crafted. AI-refined.

This minimalist sculpture features a collection of three-dimensional geometric forms, predominantly triangles and pyramids, arranged on a wooden floor. The pieces are constructed using thin black lines, creating a stark, monochromatic appearance that emphasizes the interplay of the angular shapes and the negative space between them. The overall composition has a sense of symmetry and balance, with the individual elements echoing and complementing each other. This abstract work explores the essence of form and invites the viewer to consider the relationship between the sculptural elements and the surrounding environment. ...

Similar Artworks

Bernard PiffarettiUntitled, 2021Price on Request

Corentin GrossmannSouvenir 02, 20213500 EUR

Ulla Von BrandenburgFeste Erde, Flüssiger Wind, 202150000 EUR

Jean-Luc BlancLa narratrice, 202015000 USD

Dalila Dalléas BouzarAutoportrait, 2022Price on Request

Lili Reynaud-DewarI Sing the Body Electric, 2017Price on Request

Jean-Luc BlancFireman, 202017000 USD

Corentin GrossmannFait office d'orifice, 20203500 EUR

Philippe ParrenoMarquee, 2022Price on Request

Latifa EchakhchScreen Shot R.M, 2015Price on Request

Ulla Von BrandenburgTamara, 2021Price on Request

Bernard PiffarettiUntitled, 1996Price on Request

Dalila Dalléas BouzarStudio Dakar (Khadija), 2018Price on Request

Lili Reynaud-DewarRome, 1er et 2 novembre 1975, 201932000 EUR

Ugo Rondinonezweiterjulizweitausendundvierundzwanzig, 2024Price on Request

Artist

Vidya Gastaldon

B.1974, French

Vidya Gastaldon was born in 1974 in Besançon. She lives and works in Brénod, France. With her mystical, fantastical and extremely vivid approach to art, Vidya Gastaldon develops a sort of harmonisation of qualities both spiritual and physical. Allergic to any attempt to control and restrain her universe, she delivers a cosmic overview combining Hindi divinities, Muppet-Show characters and Christian references. Her work, reminiscent of artists such as Turner, Burchfield, Blake or Bunuel, is extremely multi faced and deals with the divine, the hallucinatory but also with everyday life. In a mixture of sacred, sensual, tongue-in-cheek and sometimes provocative creations, she manages to establish a connection between “being” and “meant to be”. She engenders new beliefs, and by means of negative and positive impulses she pushes social unconsciousness out of the way, liberating our collective thought of the predefined egregores that oblige us to keep reproducing spiritual and social patterns. ...

Vidya Gastaldon: Artworks

Vidya GastaldonHealing object (chaise fleurie), 201912000 EUR

Vidya GastaldonÉpouvantail (autoportrait en crumbgirl), 201818000 EUR

Vidya GastaldonHealing painting (mediterranean cosmic snake), 20179400 EUR

Vidya GastaldonHealing painting (young parvati), 20176600 EUR

Vidya GastaldonLe long chariot Mixcoatl, 201428000 EUR

Vidya GastaldonGarden party, 201328000 EUR

Vidya GastaldonLet it god (Santa Table), 201319000 EUR

Vidya GastaldonAdvaita (tétraèdes), 200732000 EUR

Vidya GastaldonFloating Mountain 3 (Mt. Hasho), 200619000 EUR

Vidya GastaldonSempervivum, 200332000 EUR

Vidya GastaldonHighills, 201816000 EUR

Vidya GastaldonOcéan sentimental (T), 2022Price on Request

Vidya GastaldonAttente/Éveil, 2021Price on Request

Vidya GastaldonSentiment océanique (inquiet), 2021Price on Request

Vidya GastaldonSentiment océanique (calme, neutre, rose), 2021Price on Request

Vidya GastaldonLes colonnes, 2021Price on Request

Vidya GastaldonSentiment océanique (pommettes chaudes), 2021Price on Request

Gallery

Galerie Art : Concept

Paris

To avoid any narcissism the gallery will not bear a name, but instead mark of the end of a century during which the Fine Arts are exhausted of unknown practices and forms, Art: Concept was born. In 1997, the gallery joined its friends in the 13th district of Paris to be part of the adventure of the brand new rue Louise Weiss. Despite unforgettable years in this district, the move to the Marais was inevitable. Today, the gallery is located in a private passage (passage Sainte Avoye) and represents artists with whom it has been working for 25 years as well as young graduates. Trying to reflect the evolution of society, the gallery emphasises its proposals in a multi-faceted reflection on individuality and collectivity in a wide range of contexts. Like Janus, it looks both to the past and the future. Today's world is so in need of reference points that it's reassuring to invent a future, thanks to artists, as well as to compare it to the past. We invite you to ask for it, we will be at the gallery, very happy to explain it to you. ...