to modernise
to modernise
to modernise

Lily Van Der Stokker

to modernise, 2022400 x 98cmSign in to view price
Details
MaterialGallery
Description
Human-crafted. AI-refined.

The artwork features a minimalist and conceptual aesthetic, with a predominant use of white and pastel colors. The composition consists of simple, geometric shapes and frames hanging on the walls, creating a sense of symmetry and balance. The subject matter appears to be abstract, with the frames serving as the focal points, potentially representing ideas or concepts. The overall style and technique suggest a focus on reducing visual elements to their most essential forms, emphasizing the space and the interplay between the frames and the walls. The historical context and the artist's intention behind this piece may reflect the philosophical and intellectual explorations characteristic of contemporary art movements. ...

Similar Artworks
Isis Water
Kembra PfahlerIsis Water, 1998
73.5 x 58 x 3.2cm
Pan Painting 16
Wilted
Julia WachtelWilted, 2018
114.3 x 162.6cm
ANGEL
Sarah LucasANGEL, 2022
113.7 x 60.8 x 78.7cm
Pan Painting 22
Untitled #23 [hoop]
Untitled
Richard PrinceUntitled, 2019
205.7 x 129.5 x 4cm
SEX BOMB
Sarah LucasSEX BOMB, 2022
87.1 x 61.7 x 98.2cm
Pan Painting 13
Seed
Julia WachtelSeed, 2018
152.4 x 332.7cm
Schwitters by me
Marquee
Philippe ParrenoMarquee, 2022
57.9 x 165 x 113.8cm
Hope
Julia WachtelHope, 2015
152.4 x 330.2cm
Mr. Hotdog
Jim ShawMr. Hotdog, 2019
111.8 x 71.1 x 4.4cm
Untitled
Richard PrinceUntitled, 1998
27.94 x 21.59cm
Pan Painting 17
MON PIED (roof series)
Lily Van Der Stokker
Artist
Lily Van Der Stokker
B.1954, Dutch

born in Den Bosch, The Netherlands, in 1954. She lives and works between Amsterdam and New York. In their immediate delivery, van der Stokker’s works beckon happy-go-lucky intonations in their fanciful, ‘feminine’, curlicued and flower- powered familiarity. Their formal bubbled, blobby, and loopy approachable techniques may recall the doodlings more traditionally relegated to the notebook margins of a teenage girl, while the textual inclusions create dichotomies that illuminate more cutting messages and comment upon more condemning realities. lily van der Stokker presents us with works that require the viewer to consider the implications of ‘Kissy, Kissy’ but also of ‘no improvement / no progress’. As Roberta Smith noted in 1990, “The messages conveyed in this terminally cheerful manner usually have a double edge.” ...

Lily Van Der Stokker: Artworks
Televisiongarden
Lily Van Der StokkerTelevisiongarden, 1989
32 x 46.8cm
Good
Lily Van Der StokkerGood, 1989
23.3 x 31cm
To love one another
Lily Van Der StokkerTo love one another, 1990
41.3 x 32.5cm
No label no title
Lily Van Der StokkerNo label no title, 2001
34 x 46.5cm
Armchairs
Lily Van Der StokkerArmchairs, 1997
24.38 x 32.26cm
easy fun
Lily Van Der Stokkereasy fun, 2001
24 x 32.3cm
Charles + Silke
Lily Van Der StokkerCharles + Silke, 2003
25.5 x 34.4cm
What a Rude Way to Treat an Artist
moderniseren
Lily Van Der Stokkermoderniseren, 2022
400 x 98cm
to modernise
Lily Van Der Stokkerto modernise, 2022
400 x 98cm
Red Yellow Closet with Armchairs
Easy Fun
Nothing (Light Pink)
Lily Van Der StokkerNothing (Light Pink), 2014
126 x 216 x 17cm
Whoopy I am Ugly
Lily Van Der StokkerWhoopy I am Ugly, 2010
304.8 x 716.28cm
We Are The Same
Lily Van Der StokkerWe Are The Same, 2014
338 x 475cm
Washing Machine (object with teapot)
Art Books
Lily Van Der StokkerArt Books, 2019
35.9 x 39.9 x 4cm
Yeah
Lily Van Der StokkerYeah, 1990
161 x 176cm
Shopping List
Lily Van Der StokkerShopping List, 2019
189 x 145 x 5.5cm
Hummus Dip
Lily Van Der StokkerHummus Dip, 2019
187 x 189 x 5.5cm
Vegetable Broth
Lily Van Der StokkerVegetable Broth, 2019
85.5 x 69.5 x 4.5cm
Red Rashes on Face Not
Lily Van Der StokkerRed Rashes on Face Not, 2019
237 x 578 x 40cm
Yelling Older Women
Lily Van Der StokkerYelling Older Women, 2022
100 x 108 x 8cm
How Sad (design for wall painting)
Beautiful
Lily Van Der StokkerBeautiful, 2023
132 x 196cm
Some Nonsense
Lily Van Der StokkerSome Nonsense, 1996
250 x 200 x 40cm
Kaufmann Repetto
Gallery
Kaufmann Repetto
Milan, New York City

francesca kaufmann gallery opened in January 2000. Since then, the gallery has aimed to explore a diverse range of media, with a focus on video, site specific installation, and a special attention towards the works of female artists. After ten years in its historical location, the gallery opened in a new space in October 2010, under the name kaufmann repetto, to mark the partnership between Francesca Kaufmann and Chiara Repetto. In its new location, the gallery has been able to further develop its exhibition programming through a project space dedicated predominantly to younger artists, as well as a courtyard for large scale outdoor installations, which run parallel to the gallery’s main exhibition schedule. In 2013, the gallery inaugurated a new location in Chelsea, New York, with a parallel program to the gallery’s main space in Milan. In 2019 the New York location moved to Tribeca, expanding to a 3,000 sq ft exhibition space. The inaugural exhibition at the gallery’s new space in Tribeca was a solo show by Lily van der Stokker. ...

Unlock Price & Inquiry Access