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The artwork features a minimalist composition with a simple, yellow outline of a dinosaur-like creature against a white background. The overall visual impact is striking, with the bold, gestural lines and the stark contrast between the yellow and white creating a sense of playfulness and whimsy. The subject matter, while recognizable as a dinosaur, is stylized in a way that suggests a childlike or cartoon-like interpretation. The style and technique employed seem to be a combination of drawing and printmaking, with the crisp, clean lines and flat color suggesting a process-driven approach. The context of this piece likely reflects the artist's exploration of themes related to popular culture, nostalgia, or the relationship between nature and human imagination. ...
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Lily Van Der Stokker
B.1954, Dutchborn in Den Bosch, The Netherlands, in 1954. She lives and works between Amsterdam and New York. In their immediate delivery, van der Stokker’s works beckon happy-go-lucky intonations in their fanciful, ‘feminine’, curlicued and flower- powered familiarity. Their formal bubbled, blobby, and loopy approachable techniques may recall the doodlings more traditionally relegated to the notebook margins of a teenage girl, while the textual inclusions create dichotomies that illuminate more cutting messages and comment upon more condemning realities. lily van der Stokker presents us with works that require the viewer to consider the implications of ‘Kissy, Kissy’ but also of ‘no improvement / no progress’. As Roberta Smith noted in 1990, “The messages conveyed in this terminally cheerful manner usually have a double edge.” ...