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This minimalist artwork features a grid-like arrangement of multiple white frames against a plain white background. The frames are evenly spaced, creating a sense of order and symmetry. Although the frames are empty, the use of subtle colors, such as soft pastels and muted tones, adds a touch of visual interest. The overall composition emphasizes the interplay between positive and negative space, inviting the viewer to contemplate the relationship between the frames and the surrounding environment. This artwork likely reflects the artist's exploration of minimalist principles, focusing on simplicity, repetition, and the viewer's perception of space and form. ...
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Lily Van Der Stokker
B.1954, Dutchborn in Den Bosch, The Netherlands, in 1954. She lives and works between Amsterdam and New York. In their immediate delivery, van der Stokker’s works beckon happy-go-lucky intonations in their fanciful, ‘feminine’, curlicued and flower- powered familiarity. Their formal bubbled, blobby, and loopy approachable techniques may recall the doodlings more traditionally relegated to the notebook margins of a teenage girl, while the textual inclusions create dichotomies that illuminate more cutting messages and comment upon more condemning realities. lily van der Stokker presents us with works that require the viewer to consider the implications of ‘Kissy, Kissy’ but also of ‘no improvement / no progress’. As Roberta Smith noted in 1990, “The messages conveyed in this terminally cheerful manner usually have a double edge.” ...