Ma Haijiao

If We Delete Green, If We Start to Care About Plants No.4, 2020135 x 90cm2200 GBP

Details

MaterialGalleryLocation

Inkjet printTabula Rasa GalleryLondon

Description

Human-crafted. AI-refined.

The artwork features a vibrant green background with an array of scattered green leaves or shapes that appear to be randomly dispersed across the canvas. The composition creates a sense of movement and energy, with the leaves or shapes seemingly floating and swirling in the air. The use of a monochromatic color palette, along with the abstract and minimalist style, suggests this may be an exploration of the relationship between nature, movement, and the visual perception of space. ...

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Artist

Ma Haijiao

1990 , chinese

Ma Haijiao (b.1990, Hebei, China) received his B.A. & M.F.A. at the China Academy of Art. He was a nominee for the JIMEI x ARLES Discovery Award in 2020. He won the prize of EACA (East Asian Contemporary Art, 2019), and was a finalist of the Huayu Youth Award in Art Sanya (2018) and the 10th Three Shadows Photography Award (2018). His artworks are in the collection of Smart Museum of Art (Chicago), Power Station of Art (Shanghai), and ZARYA Center for Contemporary Art (Vladivostok). His recent solo exhibitions include: The North, Tabula Rasa Gallery (Beijing, 2022); If We Delete Green, If We Start Caring About Plants, Tabula Rasa Gallery (London, 2022); A Room with A View, Zhejiang Art Museum (Hangzhou, 2021); Happy Valley II, Discoveries, Art Basel (Hong Kong, 2019); Happy Valley, Tabula Rasa Gallery (Beijing, 2018); just to name a few. His recent institutional exhibitions include: I Recognised the World: Born in the 80s and 90s, MOCA Yinchuan (Yinchuan, 2021); Future Future: CEF Young Artists’ Experimental Film Project, Bona Palace (Shanghai, 2020); An Impulse to Turn, Inside-Out Art Museum (Beijing, 2020); Symbiosis: The Intertextuality of Art and Poetry, OCAT (Shenzhen, 2019); 8102 — On Reality, OCAT (Shanghai, 2019); Today's Yesterday: The 1st Anren Biennale, Anren (Chengdu, 2017); The New Normal, Ullens Center for Contemporary Art (Beijing, 2017); Why Not Ask Again: The 11th Shanghai Biennale, Power Station of Art (Shanghai, 2016); Fly Without Wings, V ART Center, (Shanghai, 2015). His short film Orange, Bee, and Snow Mountain was selected for the Short Short Film section of the FIRST International Film Festival (2021). website：http://www.mahaijiao.cn/ ...

Ma Haijiao: Artworks

Ma HaijiaoIf We Delete Green, If We Start to Care About Plants, 2020Price on Request

Ma HaijiaoIf We Delete Green, If We Start to Care About Plants No.6, 20201800 GBP

Ma HaijiaoIf We Delete Green, If We Start to Care About Plants No.11, 20201800 GBP

Ma HaijiaoIf We Delete Green, If We Start to Care About Plants No.2, 20202400 GBP

Ma HaijiaoIf We Delete Green, If We Start to Care About Plants No.4, 20202200 GBP

Ma HaijiaoIf We Delete Green, If We Start to Care About Plants No.12, 2020700 GBP

Ma HaijiaoIf We Delete Green, If We Start to Care About Plants No.8, 20201200 GBP

Ma HaijiaoMr. Quan, 2021Price on Request

Ma HaijiaoMr. Quan 1989 - 2022 No.1, 202228000 CNY

Ma HaijiaoMr. Quan 1989 - 2022 No.2, 202228000 CNY

Ma HaijiaoMr. Quan 1989 - 2022 No.3, 202225000 CNY

Ma HaijiaoMr. Quan 1989 - 2022 No.4, 202223000 CNY

Ma HaijiaoMr. Quan 1989 - 2022 No.5, 202223000 CNY

Ma HaijiaoMr. Quan 1989 - 2022 No.6, 202220000 CNY

Ma HaijiaoMr. Quan at Painting No.1, 20226000 CNY

Ma HaijiaoMr. Quan at Painting No.2, 20226000 CNY

Ma HaijiaoMr. Quan at Painting No.3, 20226000 CNY

Ma HaijiaoMemory About Airplane Sounds, 20201380 GBP

Gallery

Tabula Rasa Gallery

London

Tabula Rasa Gallery is based in Beijing's 798 art district. Established in 2015, it aims to promote both Chinese and international contemporary artists through exhibitions, talks, research and publication. The gallery name is Latin for 'blank state'. In philosophical discourse, it refers to the idea that our knowledge comes from our experiences and education, all participants are born in a Tabula Rasa state. Tabula Rasa hopes that the exhibitions they present can subvert viewers’ preconceptions, creating conditions for fresh artistic experiments.