Marilou Poncin
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Human-crafted. AI-refined.This striking sculptural work features a bold, metal-like form that appears to envelop a dark, lustrous gem-like center. The composition is characterized by flowing, organic shapes and a reflective, metallic surface that seems to twist and contort around the central element. The artist has skillfully employed a variety of sculptural techniques to create a visually captivating and enigmatic piece that invites the viewer to contemplate the interplay between the natural and the artificial. This artwork likely explores themes of transformation, the relationship between material and form, and the boundless creative possibilities of contemporary sculptural practice. ...
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Marilou Poncin
1992 , FrenchMarilou Poncin lives and works in Paris. As a visual artist, she studied at the Beaux Arts de Lyon, the Gerrit Rietveld Academie in Amsterdam, and ENSAD Paris. Her work explores our fantasies in their encounter with new technologies. Her projects feature camgirls, avatars, love dolls, and influencers: these predominantly female figures populate the digital imagination. Each of the phantasmagorical worlds she explores reveals our individual and collective relationships with the societies in which we live, encompassing tastes, desires, lacks, and prejudices. Manipulating video installations, photography, painting, and ceramics, her works intersect multiple formats and mediums. Through the enlargement and accumulation of images, the artist reduces the distance between her subjects and the viewers, thereby offering them a tactile experience of the images and bodies. Launched in 2015 with the award from the Inrocks Lab (new video creation), her work was subsequently exhibited at Espace Témoin (Geneva), Frac Île-de-France, La Villette, Les Magasins Généraux, La Gaîté Lyrique, the Ricoh Art Gallery in Tokyo, and at festivals such as the Créteil International Women’s Film Festival and Videoformes in Clermont-Ferrand. In 2022, she was shortlisted for the SAM Prize for Contemporary Art and received funding from the Fondation des Artistes for her video installation project «Liquid love is full of ghosts.» She also designed a multimedia installation for the CAC Passerelle Brest, which she extended to the MAC Lyon. ...