Marilou Poncin

Sleepy in a shell n°7, 202417 x 13 x 8cm2600 EUR

Details

Material

céramique émaillée, impression photo et résine / enamelled ceramic, photo printing and resin

Description

Human-crafted. AI-refined.

The artwork features a striking, abstract composition of vibrant colors and organic shapes. The central focal point is an intriguing, amorphous form that appears to depict a human hand partially obscured within layers of translucent, swirling hues. The overall effect is both visually captivating and enigmatic, inviting the viewer to ponder the artist's interpretation of the human form and its relationship to the natural world. The artwork's experimental style and innovative use of materials suggest a contemporary, conceptual approach, likely intended to challenge traditional notions of representation and invite deeper contemplation on the human experience. ...

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Artist

Marilou Poncin

1992 , French

Marilou Poncin lives and works in Paris. As a visual artist, she studied at the Beaux Arts de Lyon, the Gerrit Rietveld Academie in Amsterdam, and ENSAD Paris. Her work explores our fantasies in their encounter with new technologies. Her projects feature camgirls, avatars, love dolls, and influencers: these predominantly female figures populate the digital imagination. Each of the phantasmagorical worlds she explores reveals our individual and collective relationships with the societies in which we live, encompassing tastes, desires, lacks, and prejudices. Manipulating video installations, photography, painting, and ceramics, her works intersect multiple formats and mediums. Through the enlargement and accumulation of images, the artist reduces the distance between her subjects and the viewers, thereby offering them a tactile experience of the images and bodies. Launched in 2015 with the award from the Inrocks Lab (new video creation), her work was subsequently exhibited at Espace Témoin (Geneva), Frac Île-de-France, La Villette, Les Magasins Généraux, La Gaîté Lyrique, the Ricoh Art Gallery in Tokyo, and at festivals such as the Créteil International Women’s Film Festival and Videoformes in Clermont-Ferrand. In 2022, she was shortlisted for the SAM Prize for Contemporary Art and received funding from the Fondation des Artistes for her video installation project «Liquid love is full of ghosts.» She also designed a multimedia installation for the CAC Passerelle Brest, which she extended to the MAC Lyon. ...