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This abstract painting features bold, geometric shapes and a striking color palette. The composition centers on a large, rounded form in a pale, earthy tone that is framed by angular blocks of red, blue, and green. The overall style evokes the avant-garde aesthetic of early 20th-century Cubism, with the fragmented shapes and flattened perspective creating a sense of depth and movement. The artist's innovative use of color and form suggests an exploration of the interplay between light, space, and the human figure, hinting at a deeper symbolic or metaphorical meaning behind the abstract imagery. ...
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Drawing on a self-invented visual language shaped by synesthesia—the perception of letters and numbers as colors—Matea Perrotta investigates themes of desire, duality, and the subconscious. Trained in classical painting and drawing, she transforms figurative subjects, often the female form, into biomorphic abstractions where curves, voids, and compressed spaces evoke vulnerability and strength. Her compositions balance masculine and feminine energies, using texture, color, and line to suggest a sensorial, bodily presence without direct representation. Perrotta’s work is informed by her immersion in diverse cultural contexts. In Morocco, she developed natural pigments from earth and minerals, translating her painted forms into hand‑woven, hand‑dyed textiles created in collaboration with local women. These functional rugs extend her paintings into tactile, everyday objects, challenging hierarchies between fine art and craft. Across the media, she treats abstraction as a coded language—part intimate confession, part universal symbol—through which emotion and memory are embedded in color relationships and material surfaces. Her paintings and textiles invite slow, physical engagement, prompting viewers to navigate a space between recognition and ambiguity, where form resists fixation and meaning is felt as much as it is seen. ...