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This abstract artwork showcases a striking combination of colors and geometric shapes. The composition features a large black rectangular form on the left, contrasted by a green trapezoidal shape in the center and a textured, yellow background. The artist's use of bold, contrasting colors and minimal, geometric forms suggests a focus on exploring the interplay of shape, space, and composition. The overall style and technique employed in this piece reflect the influence of mid-20th century abstract painting, with the artist likely aiming to evoke a sense of balance, tension, and visual intrigue through the simplicity of the design. ...
Drawing on a self-invented visual language shaped by synesthesia—the perception of letters and numbers as colors—Matea Perrotta investigates themes of desire, duality, and the subconscious. Trained in classical painting and drawing, she transforms figurative subjects, often the female form, into biomorphic abstractions where curves, voids, and compressed spaces evoke vulnerability and strength. Her compositions balance masculine and feminine energies, using texture, color, and line to suggest a sensorial, bodily presence without direct representation. Perrotta’s work is informed by her immersion in diverse cultural contexts. In Morocco, she developed natural pigments from earth and minerals, translating her painted forms into hand‑woven, hand‑dyed textiles created in collaboration with local women. These functional rugs extend her paintings into tactile, everyday objects, challenging hierarchies between fine art and craft. Across the media, she treats abstraction as a coded language—part intimate confession, part universal symbol—through which emotion and memory are embedded in color relationships and material surfaces. Her paintings and textiles invite slow, physical engagement, prompting viewers to navigate a space between recognition and ambiguity, where form resists fixation and meaning is felt as much as it is seen. ...