Mira Mann

feed the spirits, 2022115 x 140 x 125cmPrice on Request

Details

MaterialGalleryLocation

stainless steel, various objectsDreiKöln

Description

Human-crafted. AI-refined.

The artwork depicts a simple yet striking stainless steel tray with a clear glass dome situated at its center. The tray's sleek, circular design and metallic finish create a minimalist and modern aesthetic. The transparent dome, which appears to be a glass container, stands out as the focal point, drawing the viewer's attention. The artist's intention behind this piece may be to explore the interplay between the industrial, utilitarian nature of the tray and the delicate, fragile nature of the glass dome, inviting the viewer to contemplate the relationship between form, function, and materiality in contemporary design. ...

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Artist

Mira Mann

1993 , German

Mira Mann’s practice includes time based and site specific modes of working, moving image, and cross-media settings in which they explore fictional spaces and storytelling as a medium for visualizing social structures, collective memory, and new narratives within the play of identities. Their discursive scenographies evolve around transcultural relations of human and non-human agents and the glitches they generate between experience and memory, reality and fiction.

Mira Mann: Artworks

Mira Mannlotussy I, 2022Price on Request

Mira Mannfeed the spirits, 2022Price on Request

Mira Mannmother may recall another, 2022Price on Request

Gallery

Drei

Köln

Emerging out of a former project space, Drei has been established as a commercial gallery in 2015 by Dennis Hochköppeler and Jakob Pürling in Cologne, Germany. The gallery features an international and trans-generational program with a focus on cross-disciplinary practices and pushes the cooperation with international galleries and institutions.