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This large-scale painting features a striking diptych composition depicting intricate human forms. The colors are predominantly warm tones of beige and brown, creating a muted, earthy palette. The brushstrokes are expressive, capturing the textured, organic quality of the human body. The subjects appear to be nude figures, though their identities are not clearly discernible. The overall composition and style suggest an exploration of the human form, blending naturalism with a more abstracted, conceptual approach. This work likely reflects the artist's intention to challenge traditional representations of the body and invite the viewer to engage with the subject matter in a contemplative manner. ...
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Examining psychological states and the dynamics of interpersonal relationships, this painting practice delves into themes of belonging, origin, and family. Cécile Lempert’s figurative works articulate what she calls a "detemporalization of nostalgia"—shifting the focus away from past longing toward present observations and social processes. Her compositions often employ a split-screen format, placing two subtly varied images side by side to highlight a temporal gap, creating a fragile border between moments. This technique introduces tension and a sense of the fleeting, confronting viewers with the challenge of capturing ephemeral presence. Lempert’s work is marked by a cinematic atmosphere that shifts between intimate tenderness and an unsettling sense of detachment. Drawing inspiration from a personal archive of film stills, family photographs, and details from classical European paintings, she crafts ambiguous scenes where familiar and uncanny elements coexist. ...
Efremidis opened in September 2018 in the former IBM building on Ernst-Reuter Platz. Founded by Stavros Efremidis and Tom Woo, the gallery focuses on carefully curated exhibitions. By engaging in dialogues with Berlin-based and international artists, Efremidis aims to present a forward-thinking and innovative program.