Untitled #97

Anna Virnich

Untitled #97, 202095 x 60 x 3cmSign in to view price
Details
MaterialGallery
silk, gauze, bleached polyester bleached, yarn on wooden stretch frameDrei
Description
Human-crafted. AI-refined.

This abstract painting features a bold, minimalist composition of contrasting geometric shapes and colors. The dominant hue is a vibrant mustard yellow, which covers the majority of the canvas. Intersecting this yellow expanse is a large, angular shape in a pale, neutral tone, creating a striking visual juxtaposition. The overall style suggests a focus on formal elements rather than representational imagery, reflective of the artist's modernist approach. The clean lines, simplified forms, and muted palette evoke a sense of tranquility and balanced minimalism that is characteristic of contemporary abstract art. ...

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Anna Virnich
Artist
Anna Virnich
B.1984, German

Anna Virnich’s practice centers around textile based tableaus which surfaces must be understood as membranes and as such in a state of constant inter-penetration. The manipulative and oftentimes fetishising treatment of materials and a latent presence of the corporeal manifests in objects, whose formal composition spans from symbolic exotism to stringently calculated image construction.

Anna Virnich: Artworks
Untitled #97
Anna Virnich
Untitled #97, 2020
95 x 60 x 3cm
Untitled #95
Anna Virnich
Untitled #95, 2020
95 x 60 x 3cm
Brüten
Anna Virnich
Brüten, 2023
25 x 21cm
Untitled #96 (lila-gelb-licht)
Anna Virnich
Untitled #96 (lila-gelb-licht), 2020
95 x 60 x 3cm
Fertilized I
Anna Virnich
Fertilized I, 2024
160 x 120cm
Fertilized II
Anna Virnich
Fertilized II, 2024
160 x 120cm
Drei
Gallery
Drei
Köln

Emerging out of a former project space, Drei has been established as a commercial gallery in 2015 by Dennis Hochköppeler and Jakob Pürling in Cologne, Germany. The gallery features an international and trans-generational program with a focus on cross-disciplinary practices and pushes the cooperation with international galleries and institutions.

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