It is better to shine than to reflect

Mitchell Syrop

It is better to shine than to reflect, 1984101.6 x 76.2cmSign in to view price
Details
MaterialGallery
Silver gelatin photograph on boardCroy Nielsen
Description
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The artwork features a black and white image of a flashlight against a plain background. The prominent visual elements are the cylindrical shape of the flashlight and the strong contrast between the dark metallic body and the bright beam of light. The text above the image provides a thought-provoking message, suggesting that it is better to shine brightly than to merely reflect. The minimalist composition and bold typography indicate a contemporary, conceptual approach, encouraging the viewer to ponder the deeper meaning behind the simple yet striking visual metaphor. ...

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Dont Quit Your Dayjob
Artist
Mitchell Syrop
American

Mitchell Syrop’s lithographic and laser pigment prints and installations expose the human condition of being trapped within systems, be they interpersonal, societal, economic or political. Engaging with Syrop’s idiosyncratic use of language, text and found images means being told not to ‘quit your day job’ and reminds us of the irony of believing one is unique. Having studied under the original Conceptualists, including Huebler, Asher and Baldessari, Syrop, along with artists Barbara Kruger and Jenny Holzer, engaged with commodification, mass marketing and the aesthetics of advertising. The clichés, or slogans of culture, present in Syrop’s work are inserted onto images of cells under a microscope or ‘perfect’, travel-advertising photographs of sandy beaches. Inviting multiple interpretations of his interchange between text and image, Syrop evokes a structuralist understanding of language as a system of arbitrary signs. The private, the public, love, grief, existentialism and subjectivity intertwine in the hands of the artist, whose work reveals human vanity and pride while remaining honest in its own complicity of recycling clichés. Written by Goldsmiths CCA ...

Mitchell Syrop: Artworks
All Systems Go
Mitchell Syrop
All Systems Go, 1985
121.9 x 152.4cm
All men are created equal…
Mitchell Syrop
All men are created equal…, 1982
100.9 x 75.5cm
Be. Have
Mitchell Syrop
Be. Have, 1986
76.2 x 101.6cm
Clutch Throttle Choke
Mitchell Syrop
Clutch Throttle Choke, 1985
60.9 x 50.8cm
It is better to shine than to reflect
Mitchell Syrop
It is better to shine than to reflect, 1984
101.6 x 76.2cm
Lift and Separate
Mitchell Syrop
Lift and Separate, 1984
59.4 x 49.5 x 2.5cm
Pull Yourself Together
Mitchell Syrop
Pull Yourself Together, 1998
110 x 161cm
Sit in Judgment
Mitchell Syrop
Sit in Judgment, 1982
71.1 x 170.1cm
The Same Mistake
Mitchell Syrop
The Same Mistake, 1998
137 x 106cm
Untitled
Mitchell Syrop
Untitled, 2003
101.6 x 152.4cm
Dont Quit Your Dayjob
Mitchell Syrop
Dont Quit Your Dayjob, 2015
270 x 380cm
This Is My Work
Mitchell Syrop
This Is My Work, 2011
40.6 x 50.8cm
Croy Nielsen
Gallery
Croy Nielsen
Vienna

In 2016 Croy Nielsen moved from Berlin to Vienna, where it is located in the beletage apartment of a historical building in the 1st district. The gallery was founded by Oliver Croy (AT) and Henrikke Nielsen (DK). Artists such as Nina Beier, Marie Lund, and Benoît Maire, have been part of the program since its inception, and were later joined by Olga Balema, Georgia Gardner Gray, and Sandra Mujinga. Vienna-based artists include Ernst Yohji Jaeger, Joanna Woś, and Soshiro Matsubara. The gallery has strong ties to the Nordic region, representing several artists from the Scandinavian contries and regularly participating in fairs and projects in the area. ...

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