The Same Mistake

Mitchell Syrop

The Same Mistake, 1998137 x 106cmPrice on Request
Details
MaterialGalleryLocation
Torn litho poster on board, collage, framedFrançois GhebalyLos Angeles
Description
Human-crafted. AI-refined.

The artwork features a photographic image depicting a snow-covered mountainous landscape framing the text "THE SAME MISTAKE" in bold, stylized lettering. The colors and composition create a striking visual contrast, with the serene natural setting juxtaposed against the bold, graphic text. The artwork employs a combination of photographic realism and typographic manipulation, showcasing the artist's distinctive style and technique. The title "THE SAME MISTAKE" and the text "MISTAKE" below suggest a conceptual exploration of repetition, regret, or a commentary on broader societal or personal themes. ...

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Dont Quit Your Dayjob
Artist
Mitchell Syrop
, American

Mitchell Syrop’s lithographic and laser pigment prints and installations expose the human condition of being trapped within systems, be they interpersonal, societal, economic or political. Engaging with Syrop’s idiosyncratic use of language, text and found images means being told not to ‘quit your day job’ and reminds us of the irony of believing one is unique. Having studied under the original Conceptualists, including Huebler, Asher and Baldessari, Syrop, along with artists Barbara Kruger and Jenny Holzer, engaged with commodification, mass marketing and the aesthetics of advertising. The clichés, or slogans of culture, present in Syrop’s work are inserted onto images of cells under a microscope or ‘perfect’, travel-advertising photographs of sandy beaches. Inviting multiple interpretations of his interchange between text and image, Syrop evokes a structuralist understanding of language as a system of arbitrary signs. The private, the public, love, grief, existentialism and subjectivity intertwine in the hands of the artist, whose work reveals human vanity and pride while remaining honest in its own complicity of recycling clichés. Written by Goldsmiths CCA ...

Mitchell Syrop: Artworks
All Systems Go
Mitchell SyropAll Systems Go, 1985Price on Request
All men are created equal…
Mitchell SyropAll men are created equal…, 1982Price on Request
Be. Have
Mitchell SyropBe. Have, 1986Price on Request
Clutch Throttle Choke
Mitchell SyropClutch Throttle Choke, 1985Price on Request
It is better to shine than to reflect
Mitchell SyropIt is better to shine than to reflect, 1984Price on Request
Lift and Separate
Mitchell SyropLift and Separate, 1984Price on Request
Pull Yourself Together
Mitchell SyropPull Yourself Together, 1998Price on Request
Sit in Judgment
Mitchell SyropSit in Judgment, 1982Price on Request
The Same Mistake
Mitchell SyropThe Same Mistake, 1998Price on Request
Untitled
Mitchell SyropUntitled, 2003Price on Request
Dont Quit Your Dayjob
Mitchell SyropDont Quit Your Dayjob, 2015Price on Request
This Is My Work
Mitchell SyropThis Is My Work, 2011Price on Request
François Ghebaly
Gallery
François Ghebaly
Los Angeles, New York City

Since 2009, François Ghebaly has presented an innovative, eclectic program of Los Angeles-based and international artists. With a history of identifying and championing diverse voices and emerging talent, the gallery’s roster has grown to include 27 artists and 2 artist estates, ranging from early career, such as Sharif Farrag and Ludovic Nkoth, to mid-career, like Christine Sun Kim, Meriem Bennani, Kelly Akashi, Farah Al Qasimi, and Genesis Belanger, to well established, including Sayre Gomez, Kathleen Ryan, Neïl Beloufa and Candice Lin as well as underground legends, like Patrick Jackson and Mike Kuchar. The gallery advances the reach of its artists’ visions by publishing exhibition catalogues and producing artist editions. Located since 2013 in a 12,000 square foot warehouse space in Downtown Los Angeles, the gallery is a mainstay of the burgeoning Arts District community, and recently expanded to New York's Lower East Side. François Ghebaly’s program demonstrates a commitment to challenging work across all media and to fostering the progressive, boundary-pushing practices of its artists. ...