Even a dead clock is right twice a day
Even a dead clock is right twice a day
Even a dead clock is right twice a day
Even a dead clock is right twice a day

Ngo Dinh Bao Chau

Even a dead clock is right twice a day, 2022Sign in to view price
Details
MaterialGallery
12 ceramic blades mounted on bamboo rods, fastened with wicker string on a bed of air-dried white and red clayGalerie Quynh
Description
Human-crafted. AI-refined.

The artwork features a large, circular structure composed of interlocking, blue-colored pieces connected by wooden dowels. The overall design creates a sun-like shape against the backdrop of a cracked, arid landscape. The artist has utilized a geometric, modular approach, employing repeated patterns and symmetry to construct this unique, sculptural piece. The work appears to explore themes of nature, climate, and the delicate balance between organic and man-made elements, inviting the viewer to consider the interplay between environmental conditions and human intervention. ...

Similar Artworks
Orquid and serpent
Lorena Ancona
Orquid and serpent , 2018
13 x 55 x 40cm
Facade A
Turtle Drum
Lorena Ancona
Turtle Drum, 2022
23 x 22 x 32cm
Playground Structure (Triangulation)
Przemek Pyszczek
Playground Structure (Triangulation), 2021
90 x 125 x 105cm
Vasija de agua
Lorena Ancona
Vasija de agua, 2022
30 x 60 x 30cm
Facade C
I'd rather stand
Playground Structure (Order)
Przemek Pyszczek
Playground Structure (Order), 2021
140 x 45 x 45cm
Palm
Lorena Ancona
Palm, 2017
70 x 36 x 12cm
Monike Béquille
Benoît Piéron
Monike Béquille, 2024
138 x 63 x 47cm
Note 7
Do Thanh Lang
Note 7, 2019
40.7 x 40.5cm
Estructura espacial indisociable
Daniel De Paula
Estructura espacial indisociable, 2023
19.8 x 22 x 24cm
Dejavu
It was someone's home - 2
Vo Tran Chau
It was someone's home - 2, 2019
37.5 x 40.2 x 2.7cm
Ngo Dinh Bao Chau
Artist
Ngo Dinh Bao Chau
B.1986, Vietnamese

Ngo Dinh Bao Chau has engaged with a diverse array of materials, ranging from sedge mats, steel, and concrete, to trúc chỉ – a type of paper created from the blending of bamboo, corn, and duckweed. Her artistic practice delves into the examination of contemporary life in Vietnam, where she repurposes objects and images to challenge societal dualisms and tensions. Bao Chau appropriates symbols deeply ingrained in collective cultural memory and situates them within an imagined domestic space. Through her multimedia installations, the artist explores the power of repetition and blurs the boundaries between public and private spheres. Through transforming materials and seamlessly, she integrates their materiality into the overarching conceptual framework of her works. She deconstructs ideological modes and their propagation, applying these insights to the realization of her artistic creations. In her print series "Uniform – Wallpaper" (2020), Bao Chau delves into the symbolism of uniformity. Through purposeful repetition, she layers motifs of collective solidarity, drawing inspiration from unions, associations, and groups prevalent in socialist political and educational institutions. ...

Ngo Dinh Bao Chau: Artworks
Lost portrait – Altar
Ngo Dinh Bao Chau
Lost portrait – Altar, 2020
57 x 46 x 28cm
The Extracts #1
Ngo Dinh Bao Chau
The Extracts #1, 2019
80 x 60cm
The Extracts #3
Ngo Dinh Bao Chau
The Extracts #3, 2019
60 x 80cm
Epaulette – Bench
Ngo Dinh Bao Chau
Epaulette – Bench, 2020
51 x 190 x 85cm
Uniform – Wallpaper no.1
Ngo Dinh Bao Chau
Uniform – Wallpaper no.1, 2020
60 x 80cm
Uniform – Wallpaper no.24
Ngo Dinh Bao Chau
Uniform – Wallpaper no.24, 2020
60 x 80cm
Uniform – Wallpaper no.38
Ngo Dinh Bao Chau
Uniform – Wallpaper no.38, 2020
60 x 80cm
Closed eyes – Light
Ngo Dinh Bao Chau
Closed eyes – Light, 2020
57 x 52 x 13cm
Everything falls down, the flames go up – Twin Kitchens
Ngo Dinh Bao Chau
Everything falls down, the flames go up – Twin Kitchens, 2020
200 x 650 x 180cm
Die-in – Pillow Chain
Ngo Dinh Bao Chau
Die-in – Pillow Chain, 2020
10 x 50 x 30cm
The Extracts #16
Ngo Dinh Bao Chau
The Extracts #16, 2020
27 x 27cm
Even a dead clock is right twice a day
Ngo Dinh Bao Chau
Even a dead clock is right twice a day, 2022
Galerie Quynh
Gallery
Galerie Quynh
Ho Chi Minh City

Recognized as Vietnam’s leading contemporary art gallery, Galerie Quynh has been promoting contemporary art practice in the country for over two decades. The gallery is known internationally for its consistently focused programming and educational initiatives. Working with a select group of emerging, mid-career and established Vietnamese artists, the gallery also exhibits the work of distinguished artists from around the world. In keeping with its mission to develop a sustainable ecosystem for the arts in Vietnam, the gallery collaborates with artists, curators, museums and art spaces locally and internationally to organize talks and lectures as well as to produce publications in English and Vietnamese. In May 2014 the gallery founded the not-for-profit educational initiative Sao La directed by artists Tung Mai and Nguyen Kim To Lan. Sao La has since evolved into an independent artist collective spearheaded by To Lan and Dalat-based artist Nguyen Duc Dat. In summer 2020 with support from the Goethe-Institut, the gallery launched the not-for-profit CáRô, an educational initiative that provides art education for students aged 13 – 18 who show demonstrative interest in the arts. ...

Unlock Price & Inquiry Access