Even a dead clock is right twice a day
Even a dead clock is right twice a day
Even a dead clock is right twice a day
Even a dead clock is right twice a day

Ngo Dinh Bao Chau

Even a dead clock is right twice a day, 202214200 USD
Details
MaterialGalleryLocation
12 ceramic blades mounted on bamboo rods, fastened with wicker string on a bed of air-dried white and red clayGalerie QuynhHo Chi Minh City
Description
Human-crafted. AI-refined.

The artwork features a large, circular structure composed of interlocking, blue-colored pieces connected by wooden dowels. The overall design creates a sun-like shape against the backdrop of a cracked, arid landscape. The artist has utilized a geometric, modular approach, employing repeated patterns and symmetry to construct this unique, sculptural piece. The work appears to explore themes of nature, climate, and the delicate balance between organic and man-made elements, inviting the viewer to consider the interplay between environmental conditions and human intervention. ...

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Ngo Dinh Bao Chau
Artist
Ngo Dinh Bao Chau
1986 , Vietnamese

Ngo Dinh Bao Chau has engaged with a diverse array of materials, ranging from sedge mats, steel, and concrete, to trúc chỉ – a type of paper created from the blending of bamboo, corn, and duckweed. Her artistic practice delves into the examination of contemporary life in Vietnam, where she repurposes objects and images to challenge societal dualisms and tensions. Bao Chau appropriates symbols deeply ingrained in collective cultural memory and situates them within an imagined domestic space. Through her multimedia installations, the artist explores the power of repetition and blurs the boundaries between public and private spheres. Through transforming materials and seamlessly, she integrates their materiality into the overarching conceptual framework of her works. She deconstructs ideological modes and their propagation, applying these insights to the realization of her artistic creations. In her print series "Uniform – Wallpaper" (2020), Bao Chau delves into the symbolism of uniformity. Through purposeful repetition, she layers motifs of collective solidarity, drawing inspiration from unions, associations, and groups prevalent in socialist political and educational institutions. ...

Ngo Dinh Bao Chau: Artworks
Lost portrait – Altar
Ngo Dinh Bao ChauLost portrait – Altar, 2020Price on Request
The Extracts #1
Ngo Dinh Bao ChauThe Extracts #1, 20191650 USD
The Extracts #3
Ngo Dinh Bao ChauThe Extracts #3, 20191650 USD
Epaulette – Bench
Ngo Dinh Bao ChauEpaulette – Bench, 20209000 USD
Uniform – Wallpaper no.1
Ngo Dinh Bao ChauUniform – Wallpaper no.1, 20201800 USD
Uniform – Wallpaper no.24
Ngo Dinh Bao ChauUniform – Wallpaper no.24, 20201800 USD
Uniform – Wallpaper no.38
Ngo Dinh Bao ChauUniform – Wallpaper no.38, 20201800 USD
Closed eyes – Light
Ngo Dinh Bao ChauClosed eyes – Light, 20205800 USD
Everything falls down, the flames go up – Twin Kitchens
Ngo Dinh Bao ChauEverything falls down, the flames go up – Twin Kitchens, 202018000 USD
Die-in – Pillow Chain
Ngo Dinh Bao ChauDie-in – Pillow Chain, 20204200 USD
The Extracts #16
Ngo Dinh Bao ChauThe Extracts #16, 2020650 USD
Even a dead clock is right twice a day
Ngo Dinh Bao ChauEven a dead clock is right twice a day, 202214200 USD
Galerie Quynh
Gallery
Galerie Quynh
Ho Chi Minh City

Recognized as Vietnam’s leading contemporary art gallery, Galerie Quynh has been promoting contemporary art practice in the country for over two decades. The gallery is known internationally for its consistently focused programming and educational initiatives. Working with a select group of emerging, mid-career and established Vietnamese artists, the gallery also exhibits the work of distinguished artists from around the world. In keeping with its mission to develop a sustainable ecosystem for the arts in Vietnam, the gallery collaborates with artists, curators, museums and art spaces locally and internationally to organize talks and lectures as well as to produce publications in English and Vietnamese. In May 2014 the gallery founded the not-for-profit educational initiative Sao La directed by artists Tung Mai and Nguyen Kim To Lan. Sao La has since evolved into an independent artist collective spearheaded by To Lan and Dalat-based artist Nguyen Duc Dat. In summer 2020 with support from the Goethe-Institut, the gallery launched the not-for-profit CáRô, an educational initiative that provides art education for students aged 13 – 18 who show demonstrative interest in the arts. ...