The artwork features a vibrant, surreal composition of organic shapes and colors. The dominant elements are the large black spider-like figure and the numerous eye-like shapes scattered throughout the piece. The overall palette consists of muted blues, greens, and reds, creating a dreamlike, almost hallucinatory atmosphere. The style appears to be expressionistic, with the artist using bold brushstrokes and a stylized, fantastical approach to depict the subject matter. This visually striking piece may be exploring themes of the subconscious, nature, or the coexistence of beauty and danger in the natural world. ...
A great lover of literature, science, poetry, the occult, paganism, pop culture and strange and wonderful stories, Nils Alix-Tabeling produces a singular body of work that questions our future as humans in a rapidly changing world.
Resolutely symbolist, even surrealist, his sculptures, installations, paintings, texts and performances are full of references to magical and ancient practices, as well as to certain stories and legendary figures, both real and fictional. His work, which brings together heterogeneous and chimerical identities in a transhistorical, syncretic and intuitive approach, hybridizes categories of genre and the realms of the living and even the non-living. The result is a sophisticated, complex universe whose vital energy is devoted to making the invisible visible by dissolving the boundaries between reality and fiction.
He exhibited in Futur, Ancien, Fugitif at the Palais de Tokyo in Paris in 2019, Possédé.e.s at the Moco in Montpellier in 2020 and at the Kunstverein in Dortmund and the Parvis in Tarbes in 2023. He works with the galleries Public in London and Piktogram in Warsaw.
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