Oliver Coran's "Untitled" features a chaotic blend of black, white, blue, gray, and vibrant red splatters, creating a dynamic, layered composition. The interplay of abstract forms and colors reflects movement and depth, achieved through Coran's distinctive technique of painting on both sides of a transparent plastic surface. This approach produces a visually complex image that challenges perceptions. By leveraging transparency as an integral element, Coran explores themes of recognition and perception, drawing on influences from both modern digital art and traditional Japanese techniques. ...
Coran has been painting on plastic for ten years, a technique whose references are wide-ranging—from digital screens to 19th-century Japanese reverse glass painting. He has developed a method of painting on both sides of the transparent surface, producing multiple overlapping foregrounds and backgrounds. The see-through surface is not just a support but part of the image itself. It catches light, mirrors, and introduces a delay—something you have to look through. Painting on plastic suspends the image within shifting, disorienting effects that reflect his exploration of perception, recognition, and the slippages between them. ...
Lovay Fine Arts is dedicated to present innovative and critical practices by emerging and historical international artists. The gallery aims to connect various generations and nationalities to ground the program in a broad history of art.