This contemporary art piece features a unique lighting installation composed of various glass and metal elements. The dominant colors are warm tones of gold and amber, creating a cozy and atmospheric ambiance. The composition includes a series of conjoined glass bulbs and a striking metal structure resembling a fish or mermaid, lending the artwork a whimsical and surreal quality. The artist's use of contrasting materials, such as the delicate glass and the rigid metal, suggests an exploration of the relationship between organic and industrial forms. This thought-provoking work likely aims to challenge traditional notions of lighting design and prompt viewers to consider the interplay between light, shape, and symbolism. ...
Kaspar Müller (b. 1983, Schaffhausen) lives and works in Berlin and Zurich. In his practice seemingly familiar objects somehow appear as hieroglyphs. A cast of everyday, yet nonetheless strangely hermetic motifs reappear throughout his oeuvre like vanished memories. Recoded, recalcitrant, and on first glance sometimes stubbornly mute, past works have ranged from physically tangible sculpture to shadowy reproductions of images. Often working in recursive loops, Müller creates elusive installations that stage the fluctuations and transformation of the creative process between the space of the studio and the gallery. For Müller, this process is akin to archeology, yet the things he addresses aren’t hidden; we simply don’t pay attention to them. The moment that their latent qualities suddenly emerge and seem connected and appealing is an exciting moment, which, as Müller notes, is “prone to mystification.” Müller’s works examine the residues of different systems of production and value, honing in on the formal and associative qualities of everyday objects and goods. With his lamp sculptures, Müller engages with how industrial lighting, from its inception to the current day, functions as a means to create a mood or atmosphere through the expression of one’s aesthetic affinities. Müller’s interest in notions of craft and reproduction, and vintage and “fake vintage,” led him to bring together an exuberant yet discordant constellation of bulbs as a kind of mirror of the range of industrial production and contemporary taste. ...
