Vernissage sauvage

Pablo Echaurren

Vernissage sauvage, 200285 x 68cmPrice on Request
Details
MaterialGallery
fabricMadragoa
Description
Human-crafted. AI-refined.

This vibrant and playful artwork features an array of dynamic reptilian creatures depicted in an energetic, stylized manner. The composition is dominated by various shades of green, with pops of warm hues like orange and red adding depth and contrast. The creatures, with their exaggerated features and sharp teeth, convey a sense of power and ferocity, while the overall design and vivid colors suggest a playful, almost cartoonish sensibility. The artwork appears to employ a distinctive graphic style, combining bold lines, intricate patterning, and a striking color palette to create an engaging and visually arresting piece. The artist's intention may have been to capture the inherent drama and energy of the natural world in a contemporary, playful interpretation. ...

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Pablo Echaurren
Artist
Pablo Echaurren
B.1951, Italian

Pablo Echaurren started to paint at the age of 18 under the guidance of Gianfranco Baruchello, and was soon discovered by the critic and gallerist Arturo Schwarz. Between 1971 and 1976 his work has been presented extensively in Italy and internationally. In 1977, Echaurren played an active role in the movement of the so-called “indiani metropolitani,” a creative group on the far left that aroused around the movement of 1977, temporarily distanced himself from the art world to engage in counterculture. After this short but intense experience, Echaurren returned to painting and drawing, as well as experimenting with other media. He is the author of novels and pamphlets on the world of art. He is a member of the National Academy of San Luca since 1997. In 2010 he founded the Fondazione Echaurren Salaris with his wife, art historian Claudia Salaris. Since 2012 he is a blogger for “The Huffington Post.” In 2013 the Beinecke Library at Yale University acquired the collection of his documents and drawings connected with the movement of 1977. In 2021 his archive linked in particular to the seventies and the publications of the counterculture was digitized and put on line thanks to the collaboration with the Bibliotheca Hertziana – Max Planck Institute for Art History, as part of the research initiative Rome Contemporary. ...

Pablo Echaurren: Artworks
Il posto di Bianca e Mario il pasticcere (neuro)
Pablo EchaurrenIl posto di Bianca e Mario il pasticcere (neuro), 1973Price on Request
Il posto di Bianca e Mario il pasticcere (neuro)
Pablo EchaurrenIl posto di Bianca e Mario il pasticcere (neuro), 1976Price on Request
Ossa di fossa
Pablo EchaurrenOssa di fossa, 2000Price on Request
Lessico terrestre
Pablo EchaurrenLessico terrestre, 2001Price on Request
Vernissage sauvage
Pablo EchaurrenVernissage sauvage, 2002Price on Request
Close encounters of the paleolithic kind
Pablo EchaurrenClose encounters of the paleolithic kind, 2021Price on Request
Industria litica di precisione (ottica di precisione)
Pablo EchaurrenIndustria litica di precisione (ottica di precisione), 2021Price on Request
Radical thinking and cosmetics
Pablo EchaurrenRadical thinking and cosmetics, 2022Price on Request
Madragoa
Gallery
Madragoa
Lisbon

MADRAGOA is a contemporary art gallery founded in 2016 in the homonymous neighborhood of Lisbon’s historical center. Since its beginning, the gallery has been an early supporter of a number of international young artists such as Adrián Balseca, Rodrigo Hernández, Renato Leotta, Buhlebezwe Siwani, Joanna Piotrowska, and Yuli Yamagata, whose first productions and exhibition have been produced and promoted by the gallery and often presented for the first time in Portugal. Moreover, Madragoa launched the careers of young Portuguese artists such as Sara Chang Yan, Luís Lázaro Matos, Gonçalo Preto, and Jaime Welsh, giving them visibility on the international scene. From its peripheral location in Europe, MADRAGOA’s project focuses on how to set a deep conversation with the city and its extraordinary potential, setting a dialogue between global artistic practices and local craftsmanship and ideas. The gallery always created experiences of research and production for its artists locally and promotes its program also through the participation in a number of international art fairs, gallery exchanges, and exhibition projects. MADRAGOA is currently recognized as one of the most innovative realities in the Portuguese art scene, while it succeeded to obtain visibility internationally throughout its years of its activity. At the moment, the gallery actively represents artists from Portugal, Italy, Ecuador, Mexico, Poland, Spain, Brazil and South Africa. ...