The Pinch

Peter Simpson

The Pinch, 202472.4 x 52.4cm4000 EUR
Details
MaterialGalleryLocation
oil on linen with artist made oak wood frameBallon RougeBrussels
Description
Human-crafted. AI-refined.

This contemporary artwork features a striking visual composition. The image depicts a close-up view of a hand interacting with a framed geometric artwork, blending the physical and conceptual aspects of art. The vibrant green and red hues, along with the bold shapes, create a visually dynamic and engaging scene. The artist's technique highlights the tactile and sensory experience of engaging with art, inviting the viewer to consider the relationship between the physical and the abstract. The piece likely explores themes of artistic process, viewer interaction, and the boundaries between art and reality. ...

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Morning, Reading
Artist
Peter Simpson
, British

Peter Simpson’s practice is firmly embedded in the art of storytelling. Using oil on canvas, Simpson renders subtly strange, enrapturing scenes which dip their toes into the surreal world of dreams, while holding onto some semblance of reality. Limbs of his figures might be slightly too elongated; a mirror reflection could be stretched or misshapen or bizarre embraces between skeletons and men holding colanders could be seen in Simpson’s realm. Narrative serves as an unpredictable guide through each body of work. Simpson will work on multiple paintings simultaneously, enabling characters to resurface across different canvases and for parts of the unfolding tale to be erased or altered. For example, an arm or leg might be repositioned by Simpson, with the original placement remaining hazily in view for audiences to encounter. References to the hallucinatory works of Hieronymous Bosch or Salvador Dalí could be seen in his paintings, and his textural deployment of cerulean blues, forest greens and rich purples adds a softer tone to the paintings— while the gentle outing in Simpson’s Me and Barney and our Sublime Army (2020), portrays Simpson’s otherworldly space is as less herculean, and more fantastical. ...

Peter Simpson: Artworks
Real Deal
Peter SimpsonReal Deal, 2020Price on Request
A Sense of Comfort
Peter SimpsonA Sense of Comfort, 2024Price on Request
The Beginning
Peter SimpsonThe Beginning, 2024Price on Request
Waiting, for something
Peter SimpsonWaiting, for something, 2024Price on Request
The end of a Glorious Day
Peter SimpsonThe end of a Glorious Day, 2024Price on Request
Play one game, I said
Peter SimpsonPlay one game, I said, 2024Price on Request
The Spring
Peter SimpsonThe Spring, 2024Price on Request
Me and Barney and our Sublime Army
Peter SimpsonMe and Barney and our Sublime Army, 20204800 EUR
the clammy hands of apple pickers (where's my snickers?)
Peter Simpsonthe clammy hands of apple pickers (where's my snickers?), 20204800 EUR
Here's Looking at You Kid
Peter SimpsonHere's Looking at You Kid, 2020700 EUR
Heel to throat in our fancy new coat
Peter SimpsonHeel to throat in our fancy new coat, 20217200 EUR
The Yabba
Peter SimpsonThe Yabba, 20213000 EUR
Flies in my eyes
Peter SimpsonFlies in my eyes, 20213000 EUR
It's buzzing. Cheers mate, I'll tell the manager
Peter SimpsonIt's buzzing. Cheers mate, I'll tell the manager, 20213000 EUR
Morning, Reading
Peter SimpsonMorning, Reading, 20244000 EUR
The Guard Cat
Peter SimpsonThe Guard Cat, 20244000 EUR
Same Old, Still Cold
Peter SimpsonSame Old, Still Cold, 20244000 EUR
A Talk with a football
Peter SimpsonA Talk with a football, 20244000 EUR
Here's Hoping
Peter SimpsonHere's Hoping, 20244000 EUR
The Pinch
Peter SimpsonThe Pinch, 20244000 EUR
Ballon Rouge
Gallery
Ballon Rouge
Brussels

Ballon Rouge began as a nomadic gallery in September of 2017. In our first two years we put up exhibitions in Istanbul, London, Los Angeles, Brussels, Sao Paulo, Paris, and New York. Each of the cities we visited was stewarded by a ‘collective member’ - a curator who introduced us to artists and to their respective city’s art scene. In March of 2019 we made Brussels our home city, inaugurating our permanent space. While we will continue to do shows abroad alongside our collective members, our primary location is now Brussels. Besides our own exhibitions, the space in Brussels sometimes hosts invited international galleries to show with us in exchange for a show of ours at theirs - a further continuation of our ethos of collaboration and collectivity. So far we have collaborated or will soon collaborate with Hannah Barry Gallery (London); Melange (Cologne); Galerist (Istanbul); Gallery Artbeat, (Tbilisi); the Pill (Istanbul); Pi Artworks (Istanbul, London); Vitrine (London, Basel). ...