0-9) GRANDE POLICROMIA (3)

Philippe Van Snick

0-9) GRANDE POLICROMIA (3), 1983100 x 120cmSign in to view price
Details
MaterialGallery
egg white pigment based on chalk glue on meranti panelMartins&Montero
Description
Human-crafted. AI-refined.

The artwork features a vibrant, abstract composition with bold, geometric shapes and distinct colors. The canvas is divided into various angled planes of red, yellow, blue, green, purple, and black, creating a visually striking and dynamic arrangement. The artist employs a minimalist style, focusing on the interplay of color, form, and spatial relationships to evoke a sense of movement and depth. This piece likely reflects the artist's exploration of the fundamental elements of visual art and their creative expression within a non-representational, modernist framework. ...

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Philippe Van Snick
Artist
Philippe Van Snick
B.1946, Belgian

Philippe Van Snick is one of the foremost contemporary Belgian artists. His work combines the heritage of modern abstract art and the conceptual enunciates of the seventies, delving into a field of speculations on the perception of the world and life. Even though Van Snick’s work has been repeatedly considered from the perspective of painting fundamentals, recent reviews of his oeuvre have shed light on his recurrent experimentations, straddling fields as distinct as conceptual photography, film, installation, artist’s books, or site-specific projects. Like a spiral, the work of Philippe Van Snick unfolds continually from the infinitesimal to that which transcends us. Encompassing not only mathematical strictness but also an experimentalism that embraces the element of chance in life, his artistic propositions are poetical and unconventional, at once dense and light-hearted, empathic and desiring of the world, silent and dynamic. ...

Philippe Van Snick: Artworks
Monochrome Désatabilisé-re
Philippe Van Snick
Monochrome Désatabilisé-re, 1980
110 x 75cm
Dynamic/Mind/Drawings, Ellips - Ellipsoïde
Philippe Van Snick
Dynamic/Mind/Drawings, Ellips - Ellipsoïde, 1970
90 x 90cm
Dynamic/Mind/Drawings, Ellips - Ellipsoïde
Philippe Van Snick
Dynamic/Mind/Drawings, Ellips - Ellipsoïde, 1976
90 x 90cm
Dynamic/Mind/Drawings, Ellips - Ellipsoïde
Philippe Van Snick
Dynamic/Mind/Drawings, Ellips - Ellipsoïde, 1970
90 x 90cm
(0-9) Bogen, Schakels
Philippe Van Snick
(0-9) Bogen, Schakels, 1976
65 x 29cm
Eclips
Allies 1 (Violet)
Philippe Van Snick
Allies 1 (Violet), 2012
47 x 45cm
Allies 2 (White)
Philippe Van Snick
Allies 2 (White), 2012
57 x 55cm
Untitled
Eviter le pire (White)
Philippe Van Snick
Eviter le pire (White), 2014
61 x 51cm
GISANT
Philippe Van Snick
GISANT, 2018
78 x 100 x 2cm
0-9) GRANDE POLICROMIA (3)
Philippe Van Snick
0-9) GRANDE POLICROMIA (3), 1983
100 x 120cm
Martins&Montero
Gallery
Martins&Montero
Brussels, São Paulo

Founded in São Paulo in 2011, Galeria Jaqueline Martins is a space for research, documentation and presentation of contemporary artistic production. It proposes collaborative curatorial strategies that foster dialogue between different generations and different cultural perspectives. One of its guiding principles is the encouragement of research-oriented conceptualist practices characterized by critical, even subversive, approaches. Since its inauguration, the gallery has developed a special program around the investigation of artistic productions carried out during the Brazilian military period – more specifically from the 1970s and 1980s. It promotes a historical revision of processes grounded on strong intellectual resistance, audacity and commitment to art and which transformed the artistic practice in the country, but nonetheless were neglected throughout the last decades. By integrating research and practice that confront the contemporary scene by means of its exhibition program, the gallery encourages the revival of the debate that conceives of artistic actions as contact zones for the exercise of aesthetic, social and political change. In 2020 the gallery opened its second exhibition space, in Brussels, aiming to expand our presence in Europe and to develop a multidisciplinary program that will foster connections between our artists and Brazilian art practices in an international context. ...

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