"Choir II" by Raheel Khan features a minimalistic composition with a pale background, a weathered white surface, and a small green shape that adds contrast. The piece includes a lone green abstract silhouette affixed to a square panel, suggesting the presence of human or emotive elements in an industrial or mundane space. Khan's distinctive style merges found objects with layered textures to evoke cultural dialogues and spatial narratives. This work, part of Khan's exploration of sound and memory, invites contemplation of how everyday environments can be imbued with historical and communal resonance. ...
Raheel Khan shapes sound, text, installation, and performance into immersive explorations of time, memory, and social structures. Trained initially in economics, he shifted to art to probe transnationalism, cultural infrastructures, and overlooked systems, giving voice to hidden rhythms through both material and sonic forms. His current work maps the cyclical patterns of time and promise within a framework he calls machine, devotion, and the acoustic, inviting audiences into experiences that are simultaneously cerebral, tactile, and deeply resonant. Khan’s early encounters with sound—particularly the vibrations of his older brother’s customized car sound system—shaped his understanding of presence, agency, and communal energy. These formative experiences inspired him to investigate how Black and Brown bodies navigate music, public space, and local economies. In his installations, Khan integrates subwoofers and found materials, including prayer mats sourced from East London charity shops. These objects, layered with historical and communal significance, interact with bass frequencies and recorded sounds, transforming both the physical and acoustic space. His work explores where the mystical intersects with the everyday, how memory and embodiment resonate in sound, and how sonic environments can imagine new worlds and future possibilities. ...
