Making Poses to Eternity, from the series “Cinematics Still”

Regina Vater

Making Poses to Eternity, from the series “Cinematics Still”, 197659.7 x 39.8cmSign in to view price
Details
MaterialGallery
photographyMartins&Montero
Description
Human-crafted. AI-refined.

The series of black and white photographs captures the architectural grandeur of an iconic building, likely a neoclassical structure. The images feature striking contrasts between light and shadow, emphasizing the dramatic interplay of illumination and form. The composition highlights the symmetry and scale of the columned facades, with figures navigating the expansive, luminous spaces. The monochrome palette and use of chiaroscuro suggest an artistic style and technique influenced by the tradition of classic architectural photography, lending a timeless, contemplative quality to the scenes. These images may have been captured to document the building's historical significance or to evoke a sense of contemplative reverence for its architectural splendor. ...

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Artist
Regina Vater
B.1943, Brazilian

In a research that encompasses the relationship between society, nature and technology, Regina Vater has developed a complex and sophisticated body of work over the last four decades that contributes significantly to the debate on the emergence of a media ecology in the areas of art and contemporary life. The poetic, activist and ecological nature of his work has always been woven into trans-media impulses, where the language of each work presents itself as a further development of the artist interests. ...

Regina Vater: Artworks
Chegada na Lua
Regina Vater
Chegada na Lua, 1987
21.3 x 28.7cm
Anéis de Saturno
Regina Vater
Anéis de Saturno, 1987
27.5 x 35.5cm
Making Poses to Eternity, from the series “Cinematics Still”
Regina Vater
Making Poses to Eternity, from the series “Cinematics Still”, 1976
59.7 x 39.8cm
Yauti in Heavens [visão da Terra]
Regina Vater
Yauti in Heavens [visão da Terra], 1988
60.9 x 50.8cm
Yauti in Heavens [Lua aterrissagem]
Regina Vater
Yauti in Heavens [Lua aterrissagem], 1988
50.8 x 60.8cm
Pirâmides em Marte, da série “Yauti in Heavens”
Regina Vater
Pirâmides em Marte, da série “Yauti in Heavens”, 1988
60 x 71cm
Drawing for video installation “Nature”
Regina Vater
Drawing for video installation “Nature”, 1989
127.2 x 97.2cm
Drawing for video installation “Tartaruga Iroquesa”  c.
Regina Vater
Drawing for video installation “Tartaruga Iroquesa” c., 1988
126.8 x 97.3cm
From the series “Tropicália”
Regina Vater
From the series “Tropicália”, 1968
68 x 59.5 x 3.5cm
From the series “Tropicália”
Regina Vater
From the series “Tropicália”, 1968
60 x 68 x 3.5cm
From the series “Tropicália”
Regina Vater
From the series “Tropicália”, 1968
59 x 69 x 3.5cm
For a time of war
Regina Vater
For a time of war, 1987
10 x 550cm
Rio to Oiticica
Quem provoca a cicatriz em você! Quem provoca a cicatriz em mim?
Regina Vater
Quem provoca a cicatriz em você! Quem provoca a cicatriz em mim?, 1977
26 x 240 x 5cm
X-Range
Regina Vater
X-Range , 1974
61.3 x 558.4cm
I, from serie “Amazônia”
Regina Vater
I, from serie “Amazônia”, 1985
68.2 x 82.5 x 3.5cm
II, from serie “Amazônia”
Regina Vater
II, from serie “Amazônia”, 1985
77.5 x 97.6 x 3.5cm
III, from serie “Amazônia”
Regina Vater
III, from serie “Amazônia”, 1985
68 x 82.5 x 3.5cm
Cargo
Regina Vater
Cargo, 1992
30 x 700 x 20cm
Golden Branch
Martins&Montero
Gallery
Martins&Montero
Brussels, São Paulo

Founded in São Paulo in 2011, Galeria Jaqueline Martins is a space for research, documentation and presentation of contemporary artistic production. It proposes collaborative curatorial strategies that foster dialogue between different generations and different cultural perspectives. One of its guiding principles is the encouragement of research-oriented conceptualist practices characterized by critical, even subversive, approaches. Since its inauguration, the gallery has developed a special program around the investigation of artistic productions carried out during the Brazilian military period – more specifically from the 1970s and 1980s. It promotes a historical revision of processes grounded on strong intellectual resistance, audacity and commitment to art and which transformed the artistic practice in the country, but nonetheless were neglected throughout the last decades. By integrating research and practice that confront the contemporary scene by means of its exhibition program, the gallery encourages the revival of the debate that conceives of artistic actions as contact zones for the exercise of aesthetic, social and political change. In 2020 the gallery opened its second exhibition space, in Brussels, aiming to expand our presence in Europe and to develop a multidisciplinary program that will foster connections between our artists and Brazilian art practices in an international context. ...

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