Rio to Oiticica

Regina Vater

Rio to Oiticica, 1979Price on Request
Details
MaterialGalleryLocation
videoMartins&MonteroBrussels
Description
Human-crafted. AI-refined.

This contemporary artwork is a visually captivating collage composed of various photographic elements. The predominant colors are warm tones of orange and yellow, creating a nostalgic, dreamlike atmosphere. The composition features a combination of recognizable urban landscapes, silhouetted figures, and abstract, textural elements that blend seamlessly. The juxtaposition of these diverse visual components suggests a narrative exploration of memory, human connection, and the passage of time. The artist's distinctive style and technique blend analog and digital processes, blurring the boundaries between reality and imagination, inviting the viewer to engage with the work's contemplative and evocative nature. ...

Similar Artworks
Light Wrap, 1975-1976 
Philip HansonLight Wrap, 1975-1976 , 1975Price on Request
Uma montanha fodendo sua própria metade (A mountain fucking its own counterpart)
Adriano CostaUma montanha fodendo sua própria metade (A mountain fucking its own counterpart), 202410000 USD
The Multiple Dimensionality of Reality
Lydia OkumuraThe Multiple Dimensionality of Reality, 1971Price on Request
Untitled
Antonio TarsisUntitled, 202325000 USD
tvc15
Adriano Costatvc15, 202412000 USD
the appearance
Lydia Okumurathe appearance, 1975Price on Request
Untitled (perfume bottle)
Philip HansonUntitled (perfume bottle), 1973Price on Request
Alcebíades
Adriano CostaAlcebíades, 202412000 USD
Spring Crate
Bill WaltonSpring Crate, 1990Price on Request
Diagram of Dimension C, Tokyo 1979; SP 2017
Lydia OkumuraDiagram of Dimension C, Tokyo 1979; SP 2017, 1979Price on Request
Untitled
Antonio TarsisUntitled, 202315000 USD
CUNT
Adriano CostaCUNT, 20226000 USD
Tribeca
Lydia OkumuraTribeca, 1984Price on Request
Untitled
Hudinilson Jr.Untitled, 1982Price on Request
La manzana de Adán (Nirka, La Jaula, Talca)
Paz ErrázurizLa manzana de Adán (Nirka, La Jaula, Talca), 19829000 EUR
Untitled (Leaf)
Antonio TarsisUntitled (Leaf), 202410000 USD
Meditation on the Gabrieleno, Whose Name for Themselves is No Longer Remembered
The Harrison StudioMeditation on the Gabrieleno, Whose Name for Themselves is No Longer Remembered, 1976Price on Request
Untitled (Self Portrait with Square II)
Liliana PorterUntitled (Self Portrait with Square II), 197328000 EUR
Series (6 Copper)
Bill WaltonSeries (6 Copper), 1990Price on Request
Lagos still life II
Wolfgang TillmansLagos still life II, 202212000 EUR
Chegada na Lua
Artist
Regina Vater
1943, Brazilian

In a research that encompasses the relationship between society, nature and technology, Regina Vater has developed a complex and sophisticated body of work over the last four decades that contributes significantly to the debate on the emergence of a media ecology in the areas of art and contemporary life. The poetic, activist and ecological nature of his work has always been woven into trans-media impulses, where the language of each work presents itself as a further development of the artist interests.

Regina Vater: Artworks
Chegada na Lua
Regina VaterChegada na Lua, 1987Price on Request
Anéis de Saturno
Regina VaterAnéis de Saturno, 1987Price on Request
Making Poses to Eternity, from the series “Cinematics Still”
Regina VaterMaking Poses to Eternity, from the series “Cinematics Still”, 1976Price on Request
Yauti in Heavens [visão da Terra]
Regina VaterYauti in Heavens [visão da Terra], 1988Price on Request
Yauti in Heavens [Lua aterrissagem]
Regina VaterYauti in Heavens [Lua aterrissagem], 1988Price on Request
Pirâmides em Marte, da série “Yauti in Heavens”
Regina VaterPirâmides em Marte, da série “Yauti in Heavens”, 1988Price on Request
Drawing for video installation “Nature”
Regina VaterDrawing for video installation “Nature”, 1989Price on Request
Drawing for video installation “Tartaruga Iroquesa”  c.
Regina VaterDrawing for video installation “Tartaruga Iroquesa” c., 1988Price on Request
From the series “Tropicália”
Regina VaterFrom the series “Tropicália”, 1968Price on Request
From the series “Tropicália”
Regina VaterFrom the series “Tropicália”, 1968Price on Request
From the series “Tropicália”
Regina VaterFrom the series “Tropicália”, 1968Price on Request
For a time of war
Regina VaterFor a time of war, 1987Price on Request
Rio to Oiticica
Regina VaterRio to Oiticica, 1979Price on Request
Quem provoca a cicatriz em você! Quem provoca a cicatriz em mim?
Regina VaterQuem provoca a cicatriz em você! Quem provoca a cicatriz em mim?, 1977Price on Request
X-Range
Regina VaterX-Range , 1974Price on Request
I, from serie “Amazônia”
Regina VaterI, from serie “Amazônia”, 1985Price on Request
II, from serie “Amazônia”
Regina VaterII, from serie “Amazônia”, 1985Price on Request
III, from serie “Amazônia”
Regina VaterIII, from serie “Amazônia”, 1985Price on Request
Cargo
Regina VaterCargo, 1992Price on Request
Golden Branch
Regina VaterGolden Branch, 1992Price on Request
Martins&Montero
Gallery
Martins&Montero
Brussels, São Paulo

Founded in São Paulo in 2011, Galeria Jaqueline Martins is a space for research, documentation and presentation of contemporary artistic production. It proposes collaborative curatorial strategies that foster dialogue between different generations and different cultural perspectives. One of its guiding principles is the encouragement of research-oriented conceptualist practices characterized by critical, even subversive, approaches. Since its inauguration, the gallery has developed a special program around the investigation of artistic productions carried out during the Brazilian military period – more specifically from the 1970s and 1980s. It promotes a historical revision of processes grounded on strong intellectual resistance, audacity and commitment to art and which transformed the artistic practice in the country, but nonetheless were neglected throughout the last decades. By integrating research and practice that confront the contemporary scene by means of its exhibition program, the gallery encourages the revival of the debate that conceives of artistic actions as contact zones for the exercise of aesthetic, social and political change. In 2020 the gallery opened its second exhibition space, in Brussels, aiming to expand our presence in Europe and to develop a multidisciplinary program that will foster connections between our artists and Brazilian art practices in an international context. ...