Drawing for video installation “Nature”

Regina Vater

Drawing for video installation “Nature”, 1989127.2 x 97.2cm17149 USD
Details
MaterialGallery
coal on paperMartins&Montero
Description
Human-crafted. AI-refined.

This charcoal sketch depicts a captive bird in a cage. The composition is centered around the cage, which is rendered with intricate linework, creating a sense of confinement and entrapment. The bird within the cage is rendered with minimal detail, suggesting a symbolic representation of the subject. The overall monochromatic palette and gestural, expressive brushwork convey a sense of melancholy and unease. This artwork likely intends to comment on themes of freedom, captivity, and the human-animal relationship. ...

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Chegada na Lua
Artist
Regina Vater
B.1943, Brazilian

In a research that encompasses the relationship between society, nature and technology, Regina Vater has developed a complex and sophisticated body of work over the last four decades that contributes significantly to the debate on the emergence of a media ecology in the areas of art and contemporary life. The poetic, activist and ecological nature of his work has always been woven into trans-media impulses, where the language of each work presents itself as a further development of the artist interests. ...

Regina Vater: Artworks
Chegada na Lua
Regina VaterChegada na Lua, 19879718 USD
Anéis de Saturno
Regina VaterAnéis de Saturno, 19879718 USD
Making Poses to Eternity, from the series “Cinematics Still”
Regina VaterMaking Poses to Eternity, from the series “Cinematics Still”, 197617149 USD
Yauti in Heavens [visão da Terra]
Regina VaterYauti in Heavens [visão da Terra], 198814862 USD
Yauti in Heavens [Lua aterrissagem]
Regina VaterYauti in Heavens [Lua aterrissagem], 198814862 USD
Pirâmides em Marte, da série “Yauti in Heavens”
Regina VaterPirâmides em Marte, da série “Yauti in Heavens”, 198810289 USD
Drawing for video installation “Nature”
Regina VaterDrawing for video installation “Nature”, 198917149 USD
Drawing for video installation “Tartaruga Iroquesa”  c.
Regina VaterDrawing for video installation “Tartaruga Iroquesa” c., 198817149 USD
From the series “Tropicália”
Regina VaterFrom the series “Tropicália”, 19685144 USD
From the series “Tropicália”
Regina VaterFrom the series “Tropicália”, 19685144 USD
From the series “Tropicália”
Regina VaterFrom the series “Tropicália”, 19685144 USD
For a time of war
Regina VaterFor a time of war, 198728582 USD
Rio to Oiticica
Regina VaterRio to Oiticica, 19796859 USD
Quem provoca a cicatriz em você! Quem provoca a cicatriz em mim?
Regina VaterQuem provoca a cicatriz em você! Quem provoca a cicatriz em mim?, 197718292 USD
X-Range
Regina VaterX-Range , 197433155 USD
I, from serie “Amazônia”
Regina VaterI, from serie “Amazônia”, 198519436 USD
II, from serie “Amazônia”
Regina VaterII, from serie “Amazônia”, 198519436 USD
III, from serie “Amazônia”
Regina VaterIII, from serie “Amazônia”, 198519436 USD
Cargo
Regina VaterCargo, 199222866 USD
Golden Branch
Regina VaterGolden Branch, 199245732 USD
Martins&Montero
Gallery
Martins&Montero
Brussels, São Paulo

Founded in São Paulo in 2011, Galeria Jaqueline Martins is a space for research, documentation and presentation of contemporary artistic production. It proposes collaborative curatorial strategies that foster dialogue between different generations and different cultural perspectives. One of its guiding principles is the encouragement of research-oriented conceptualist practices characterized by critical, even subversive, approaches. Since its inauguration, the gallery has developed a special program around the investigation of artistic productions carried out during the Brazilian military period – more specifically from the 1970s and 1980s. It promotes a historical revision of processes grounded on strong intellectual resistance, audacity and commitment to art and which transformed the artistic practice in the country, but nonetheless were neglected throughout the last decades. By integrating research and practice that confront the contemporary scene by means of its exhibition program, the gallery encourages the revival of the debate that conceives of artistic actions as contact zones for the exercise of aesthetic, social and political change. In 2020 the gallery opened its second exhibition space, in Brussels, aiming to expand our presence in Europe and to develop a multidisciplinary program that will foster connections between our artists and Brazilian art practices in an international context. ...