The Trouble with Time Travel
The Trouble with Time Travel

Richard Dean Hughes

The Trouble with Time Travel, 2024Sign in to view price
Details
Material
oil on linen, welded mild steel
Description
Human-crafted. AI-refined.

The painting depicts a close-up view of a vibrant, colorful eye. The composition is dominated by the intense, piercing gaze of the eye, which is rendered in shades of blue, black, and brown. The artist has used bold, expressive brushstrokes to capture the texture and details of the eye, creating a sense of depth and dimension. The overall style is reminiscent of abstract expressionism, with the artist's technique taking center stage. This captivating work likely aims to explore the emotional and psychological depth of human experience, drawing the viewer into a contemplative state. ...

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Mentum

Richard Dean Hughes (b.1987, Manchester, UK) is an artist based in Manchester, known for his exploration of the slippery relationship between reality and the realm of the hypothetical. Hughes often revisits and describes a personal and internal space, taking artifacts, feelings and ‘visuals’ from imagined scenarios, bringing them into real time through the manipulation of material and collisional objects. His sculptures question the idea of plausibility, they question their own existence, acting as a representational display of the space in which Hughes is trying to describe. Suggestion and the idea of plausibility is central to Hughes’s practice, repeated motifs and a collisional approach create unordinary but persuasive coalescence. He theoretically and conceptually slices up the time-based elements of an object, then hypothetically stitches them back together; treating the concept and history of an object as something that can be manipulated to create a new scenario, extract meaning and tell a new story. Hughes incorporates a wide range of traditional processes alongside new technologies, and an ever-growing array of materials from resin, metal and paint to dust and newspaper. Using small tools to carve certain works, then stereo-lithography to produce others; like his work, Hughes shifts and morphs, reacting to the concept, and the language of generated ideas. Hughes is able to draw from his material repertoire to continue an exploration of duality, the materiality and concepts of his work belong in two places at one time, can be 2 things at the same time; both hot and cold, utilitarian and absurd. His recent exhibitions include things fall apart; the centre cannot hold, Tabula Rasa Gallery (London, 2023); Ubiquitous no.14, Tube Gallery (Palma, 2023); Centre Of the Periphery, Pipeline Gallery (London, 2023); Everything at Once, Generation and display (duo show, London, 2022); Subliminal Thaw, Night Time Story (online, solo, Los Angeles, 2021); Off Trail, Air Gallery (Manchester,2021); Vent, 9A Gallery (duo, Todmorden Yorkshire, 2021); Soft Display, Division Of Labour (Worcester, 2020); When Shit Hit’s The Fan, Guts Gallery (online, London, 2020). ...

Richard Dean Hughes: Artworks
Collapse
Richard Dean HughesCollapse, 2022
68 x 43 x 23cm
Cold Corners
Richard Dean HughesCold Corners, 2021
60 x 56 x 82cm
Mentum
Richard Dean HughesMentum, 2024
33 x 46 x 8cm
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