The artwork depicts a suit of medieval-style armor in shades of metallic green and silver, presented in a dramatic, close-up composition against a dark background. The detailed craftsmanship and intricate geometric shapes of the armor's plates and joints suggest a focus on technical precision and the aesthetics of functionality. The rigid, imposing figure of the armor conveys a sense of power and protection, evoking the historical context of armed combat and the pageantry of chivalric traditions. Through this meticulously rendered depiction, the artist invites the viewer to consider the interplay between historical artifacts, artistic expression, and the enduring fascination with the martial past. ...
Born in 1962 in La Châtre, Richard Fauguet lives and works in Châteauroux. Since his debut at the School of Fine Arts in Bordeaux, the artist has proposed a protean work – drawings, collages, rubbings, sculptures – that often works in series or periods guided by the use of a particular material. One recalls the paper silhouettes, burnt sheets, glass installations, or more recently postcards with pouring spouts. Richard Fauguet combines a variety of universes and imaginaries that may seem antagonistic at first sight. The great masters of art history, his so called “buddies”, are often summoned (Picasso, Degas, Giacometti, etc.) and forced to get involved with some figures issued from popular culture and our collective imagination (Mr. Clean or Darth Vader for example). Using simple materials such as tape, clay, empty shells and found objects, Richard Fauguet revisits the so-called classical genres, portraiture and landscapes alike. He thus proposes a renewed aesthetic that blurs the lines and transcends the traditional divide between high and low culture. ...
To avoid any narcissism the gallery will not bear a name, but instead mark of the end of a century during which the Fine Arts are exhausted of unknown practices and forms, Art: Concept was born. In 1997, the gallery joined its friends in the 13th district of Paris to be part of the adventure of the brand new rue Louise Weiss. Despite unforgettable years in this district, the move to the Marais was inevitable. Today, the gallery is located in a private passage (passage Sainte Avoye) and represents artists with whom it has been working for 25 years as well as young graduates. Trying to reflect the evolution of society, the gallery emphasises its proposals in a multi-faceted reflection on individuality and collectivity in a wide range of contexts. Like Janus, it looks both to the past and the future. Today's world is so in need of reference points that it's reassuring to invent a future, thanks to artists, as well as to compare it to the past. We invite you to ask for it, we will be at the gallery, very happy to explain it to you. ...
