Mask for a Waitress

Roger Brown

Mask for a Waitress, 1974129.5 x 24.4 x 33cmSign in to view price
Details
Material
oil on wood, metal, knives, spoons, forks,  leather strap, mop head, and wheeled casters
Description
Human-crafted. AI-refined.

This contemporary sculptural artwork features a vibrant blue and red color scheme, with a central cylindrical form surrounded by protruding forks, knives, and other utensils. The composition creates a striking visual impact, with the asymmetrical arrangement of the utensils adding a sense of dynamism and movement to the piece. The artist has employed a playful and whimsical approach, repurposing everyday kitchen items to construct an unconventional and thought-provoking sculpture. The work likely explores themes of consumerism, domesticity, and the role of objects in our daily lives. ...

Similar Artworks
Green and Brass
The Light IV
Liliana PorterThe Light IV, 2020
91.4 x 152.4cm
Dancing Sunlight
Untitled
Jimmie DurhamUntitled, 2020
70 x 17 x 10cm
Ah!
Suellen RoccaAh!, 1968
11 x 15 x 4cm
Untitled
Jimmie DurhamUntitled, 2023
60 x 30 x 215cm
Her with Mirror
Reenactment II
Elcina
Ed PaschkeElcina, 1973
152.4 x 96.5cm
DISASTERS
Jacqueline De JongDISASTERS, 2023
130 x 160 x 5cm
Untitled (C2)
Monir Shahroudy FarmanfarmaianUntitled (C2), 1993
99 x 172cm
Untitled (perfume bottle)
The Four Seasons - A Benefit Painting of the  Hyde Park Art Center
Artist
Roger Brown
B.1941, American

One of the leading members of Chicago Imagists, an art movement based in Chicago in the 1960s, Roger Brown creates bold works tied with social commentary. His familial ties drove him to the American South and its distinctive culture of materialism and folk art. Later in life, Brown grew interested in the aesthetics of comic books, Art Deco and interior design, and influences visible in his graphic, skewed perspective and apocalyptic backgrounds. Dedicating works to the state of post-war America, vernacular cultures, alienation and human tragedy, Brown further created theatre sets, mixed-media sculptures, mosaic murals and prints. Aware of his own mortality when living with AIDS in the last decade of his life, Brown’s work manifests an uncanny darkness, evermore relevant to the political context of his lifetime. ...

Unlock Price & Inquiry Access