Good Apples / Bad Apples (Proposal for a Document- Monument)

Rosângela Rennó

Good Apples / Bad Apples (Proposal for a Document- Monument), 2019Price on Request
Details
MaterialGallery
site specific installation including 785 frames, inkjet prints on cotton paper, handwritten and stamped, and one text- manifest in french and english mor charpentier
Description
Human-crafted. AI-refined.

This contemporary artwork features a striking visual composition of numerous framed images arranged in a scattered, asymmetrical pattern across a white gallery wall. The frames vary in size, shape, and color, creating a dynamic and intriguing display. The subject matter within the frames appears to be a diverse collection of photographs, illustrations, and possibly other visual media, hinting at themes of identity, memory, and the human experience. The unconventional presentation style and the artist's use of the exhibition space as a canvas suggest an experimental and conceptual approach, inviting the viewer to engage with the work and its underlying narratives. ...

Similar Artworks
altich
Miriam Cahnaltich, 2020Price on Request
Untitled
Arturo HerreraUntitled, 2020Price on Request
#41
Huda Lutfi#41, 2018Price on Request
SMOKE OF FUTURE FIRES
Julie TolentinoSMOKE OF FUTURE FIRES, 2013Price on Request
Champagne et Limousines
Sylvie FleuryChampagne et Limousines, 2010Price on Request
Pista de baile del Club "Las Vegas" (Osiris)
Teresa MargollesPista de baile del Club "Las Vegas" (Osiris), 2016Price on Request
Spiral Nebula (Large)
Kiki SmithSpiral Nebula (Large), 2017Price on Request
liebenmussen
Miriam Cahnliebenmussen, 2018Price on Request
Girls of Al-Sayyida (2)
Huda LutfiGirls of Al-Sayyida (2), 2010Price on Request
D'après La Bataille d'Alger (1966) de Gillo Pontecorvo
Zineb SediraD'après La Bataille d'Alger (1966) de Gillo Pontecorvo, 202115000 EUR
Untitled
Arturo HerreraUntitled, 2020Price on Request
Beeker
Merlin JamesBeeker, 1993Price on Request
Rosângela Rennó
Artist
Rosângela Rennó
B.1962, Brazilian

Rosângela Rennó’s work is characterized by appropriating newspapers, old family albums, slides, discarded images found in flea markets, archives or dead files. Interested in “how the system systematically tries to erase the links to the past”, she wants to make visible society’s anonymous and overlooked protagonists who, in vernacular photographs, often express far more about the human condition than photographs with an artistic intent. Distinguished by her innovative, politically charged presentations, she appropriates and transforms archival photographic material into larger compositions, often in the form of installations or photographic books. Her work is a systematic investigation of time and of the relation between memory and forgetfulness, also visible in the social and psychological changes that transform reminiscence. She plays with the imperfection of memory and photography, both of which are fragmentary and approximate lived experience. ...

Rosângela Rennó: Artworks
Cerimônia do adeus (Group 2)
Rosângela RennóCerimônia do adeus (Group 2), 1997Price on Request
Untitled (Tattoo 3)
Rosângela RennóUntitled (Tattoo 3), 1997Price on Request
Untitled (Tattoo 7, A and B)
Rosângela RennóUntitled (Tattoo 7, A and B), 1997Price on Request
Eyes
Rosângela RennóEyes, 2001Price on Request
The life, the world and the choices of Philippe Delabre, Sayat, Puy-de-Dôme, France
Rosângela RennóThe life, the world and the choices of Philippe Delabre, Sayat, Puy-de-Dôme, France, 2015Price on Request
Good Apples / Bad Apples (Proposal for a Document- Monument)
Rosângela RennóGood Apples / Bad Apples (Proposal for a Document- Monument), 2019Price on Request
Bodas de porcelana #27
Rosângela RennóBodas de porcelana #27, 20177000 EUR
Rio de Janeiro (Salvador Scofano, Agência O Dia)
Rosângela RennóRio de Janeiro (Salvador Scofano, Agência O Dia), 2006Price on Request
Cicatriz (Torso con faca)
Rosângela RennóCicatriz (Torso con faca), 1997Price on Request
Cicatriz (Laura)
Rosângela RennóCicatriz (Laura), 1997Price on Request
Cicatriz (Antonio)
Rosângela RennóCicatriz (Antonio), 1997Price on Request
mor charpentier
Gallery
mor charpentier
Paris, Bogotá

Established in Paris since 2010, mor charpentier represents both emerging and well-established artists whose conceptual practices are anchored in social realities, history and the politics of contrasting geographic regions. By promoting international practices, the gallery aims to broaden the knowledge of crucial debates of the present. A significant inaugural show with Colombian master, Oscar Muñoz, fulfilled a void in the French artistic scene by broadening the spectrum of origins, subjects and identities in the art market. Ever since, a growing number of major international artists have joined the gallery. Coming from different generations and global backgrounds, they all share a commitment to either political, feminist, post-colonial, queer or human rights causes. Amongst them are Lawrence Abu Hamdan, Teresa Margolles, Chen Ching-Yuan, Liliana Porter, Bouchra Khalili, Carlos Motta, Hajra Waheed, and more. Equal gender representation and diversity is also part of the gallery goals, with half of the represented artists being women. In 2021 mor charpentier opened a second exhibition space in Bogotá. This expansion was driven to expand the reach of the gallery program to new publics and encourage artists to explore new territories. It consolidated a long-term bond with the Latin American art scene and the international projection of the gallery. ...