Good Apples / Bad Apples (Proposal for a Document- Monument)

Rosângela Rennó

Good Apples / Bad Apples (Proposal for a Document- Monument), 2019Sign in to view price
Details
MaterialGallery
site specific installation including 785 frames, inkjet prints on cotton paper, handwritten and stamped, and one text- manifest in french and english mor charpentier
Description
Human-crafted. AI-refined.

This contemporary artwork features a striking visual composition of numerous framed images arranged in a scattered, asymmetrical pattern across a white gallery wall. The frames vary in size, shape, and color, creating a dynamic and intriguing display. The subject matter within the frames appears to be a diverse collection of photographs, illustrations, and possibly other visual media, hinting at themes of identity, memory, and the human experience. The unconventional presentation style and the artist's use of the exhibition space as a canvas suggest an experimental and conceptual approach, inviting the viewer to engage with the work and its underlying narratives. ...

Similar Artworks
altich
Miriam Cahn
altich, 2020
170 x 115cm
Girls of Al-Sayyida (2)
Huda Lutfi
Girls of Al-Sayyida (2), 2010
50 x 70cm
#41
Untitled
Arturo Herrera
Untitled, 2020
92.5 x 182cm
#32
D'après La Bataille d'Alger (1966) de Gillo Pontecorvo
Zineb Sedira
D'après La Bataille d'Alger (1966) de Gillo Pontecorvo, 2021
84 x 57cm
liebenmussen
Miriam Cahn
liebenmussen, 2018
46 x 57cm
Pista de baile del Club "Las Vegas" (Osiris)
Teresa Margolles
Pista de baile del Club "Las Vegas" (Osiris), 2016
120 x 180cm
Spiral Nebula (Large)
Kiki Smith
Spiral Nebula (Large), 2017
81.3 x 63.5 x 5.6cm
Champagne et Limousines
Sylvie Fleury
Champagne et Limousines, 2010
24 x 300cm
SMOKE OF FUTURE FIRES
Julie Tolentino
SMOKE OF FUTURE FIRES, 2013
20.32 x 20.32 x 20.32cm
Beeker
Untitled
Untitled (Healing Devices)
Huda Lutfi
Untitled (Healing Devices), 2019
18 x 13.5cm
Rosângela Rennó
Artist
Rosângela Rennó
B.1962, Brazilian

Rosângela Rennó’s work is characterized by appropriating newspapers, old family albums, slides, discarded images found in flea markets, archives or dead files. Interested in “how the system systematically tries to erase the links to the past”, she wants to make visible society’s anonymous and overlooked protagonists who, in vernacular photographs, often express far more about the human condition than photographs with an artistic intent. Distinguished by her innovative, politically charged presentations, she appropriates and transforms archival photographic material into larger compositions, often in the form of installations or photographic books. Her work is a systematic investigation of time and of the relation between memory and forgetfulness, also visible in the social and psychological changes that transform reminiscence. She plays with the imperfection of memory and photography, both of which are fragmentary and approximate lived experience. ...

Rosângela Rennó: Artworks
Cerimônia do adeus (Group 2)
Rosângela Rennó
Cerimônia do adeus (Group 2), 1997
50 x 68cm
Untitled (Tattoo 3)
Rosângela Rennó
Untitled (Tattoo 3), 1997
111 x 81cm
Untitled (Tattoo 7, A and B)
Rosângela Rennó
Untitled (Tattoo 7, A and B), 1997
111 x 160cm
Eyes
The life, the world and the choices of Philippe Delabre, Sayat, Puy-de-Dôme, France
Rosângela Rennó
The life, the world and the choices of Philippe Delabre, Sayat, Puy-de-Dôme, France, 2015
Good Apples / Bad Apples (Proposal for a Document- Monument)
Rosângela Rennó
Good Apples / Bad Apples (Proposal for a Document- Monument), 2019
Bodas de porcelana #27
Rosângela Rennó
Bodas de porcelana #27, 2017
28 x 28 x 8cm
Rio de Janeiro (Salvador Scofano, Agência O Dia)
Rosângela Rennó
Rio de Janeiro (Salvador Scofano, Agência O Dia), 2006
168 x 112cm
Cicatriz (Torso con faca)
Rosângela Rennó
Cicatriz (Torso con faca), 1997
88 x 73cm
Cicatriz (Laura)
Rosângela Rennó
Cicatriz (Laura), 1997
60 x 85cm
Cicatriz (Antonio)
Rosângela Rennó
Cicatriz (Antonio), 1997
60 x 85cm
mor charpentier
Gallery
mor charpentier
Paris, Bogotá

Established in Paris since 2010, mor charpentier represents both emerging and well-established artists whose conceptual practices are anchored in social realities, history and the politics of contrasting geographic regions. By promoting international practices, the gallery aims to broaden the knowledge of crucial debates of the present. A significant inaugural show with Colombian master, Oscar Muñoz, fulfilled a void in the French artistic scene by broadening the spectrum of origins, subjects and identities in the art market. Ever since, a growing number of major international artists have joined the gallery. Coming from different generations and global backgrounds, they all share a commitment to either political, feminist, post-colonial, queer or human rights causes. Amongst them are Lawrence Abu Hamdan, Teresa Margolles, Chen Ching-Yuan, Liliana Porter, Bouchra Khalili, Carlos Motta, Hajra Waheed, and more. Equal gender representation and diversity is also part of the gallery goals, with half of the represented artists being women. In 2021 mor charpentier opened a second exhibition space in Bogotá. This expansion was driven to expand the reach of the gallery program to new publics and encourage artists to explore new territories. It consolidated a long-term bond with the Latin American art scene and the international projection of the gallery. ...

Unlock Price & Inquiry Access