Cerimônia do adeus (Group 2)

Rosângela Rennó

Cerimônia do adeus (Group 2), 199750 x 68cmPrice on Request
Details
MaterialGallery
four digital prints face mounted on plexiglas mor charpentier
Description
Human-crafted. AI-refined.

The artwork features a collection of black and white photographs displayed in a grid-like arrangement on the walls of a gallery space. The photographs capture a variety of subjects, from landscapes to urban scenes, with a focus on the interplay of light, shadow, and texture. The overall composition creates a visually striking and cohesive display, inviting the viewer to explore the nuances and subtleties within each individual image. The artist's use of monochrome photography highlights the timeless and contemplative nature of the work, suggesting a deeper examination of the human experience and its relationship to the built and natural environments. ...

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Rosângela Rennó
Artist
Rosângela Rennó
B.1962, Brazilian

Rosângela Rennó’s work is characterized by appropriating newspapers, old family albums, slides, discarded images found in flea markets, archives or dead files. Interested in “how the system systematically tries to erase the links to the past”, she wants to make visible society’s anonymous and overlooked protagonists who, in vernacular photographs, often express far more about the human condition than photographs with an artistic intent. Distinguished by her innovative, politically charged presentations, she appropriates and transforms archival photographic material into larger compositions, often in the form of installations or photographic books. Her work is a systematic investigation of time and of the relation between memory and forgetfulness, also visible in the social and psychological changes that transform reminiscence. She plays with the imperfection of memory and photography, both of which are fragmentary and approximate lived experience. ...

Rosângela Rennó: Artworks
Cerimônia do adeus (Group 2)
Rosângela RennóCerimônia do adeus (Group 2), 1997Price on Request
Untitled (Tattoo 3)
Rosângela RennóUntitled (Tattoo 3), 1997Price on Request
Untitled (Tattoo 7, A and B)
Rosângela RennóUntitled (Tattoo 7, A and B), 1997Price on Request
Eyes
Rosângela RennóEyes, 2001Price on Request
The life, the world and the choices of Philippe Delabre, Sayat, Puy-de-Dôme, France
Rosângela RennóThe life, the world and the choices of Philippe Delabre, Sayat, Puy-de-Dôme, France, 2015Price on Request
Good Apples / Bad Apples (Proposal for a Document- Monument)
Rosângela RennóGood Apples / Bad Apples (Proposal for a Document- Monument), 2019Price on Request
Bodas de porcelana #27
Rosângela RennóBodas de porcelana #27, 20177000 EUR
Rio de Janeiro (Salvador Scofano, Agência O Dia)
Rosângela RennóRio de Janeiro (Salvador Scofano, Agência O Dia), 2006Price on Request
Cicatriz (Torso con faca)
Rosângela RennóCicatriz (Torso con faca), 1997Price on Request
Cicatriz (Laura)
Rosângela RennóCicatriz (Laura), 1997Price on Request
Cicatriz (Antonio)
Rosângela RennóCicatriz (Antonio), 1997Price on Request
mor charpentier
Gallery
mor charpentier
Paris, Bogotá

Established in Paris since 2010, mor charpentier represents both emerging and well-established artists whose conceptual practices are anchored in social realities, history and the politics of contrasting geographic regions. By promoting international practices, the gallery aims to broaden the knowledge of crucial debates of the present. A significant inaugural show with Colombian master, Oscar Muñoz, fulfilled a void in the French artistic scene by broadening the spectrum of origins, subjects and identities in the art market. Ever since, a growing number of major international artists have joined the gallery. Coming from different generations and global backgrounds, they all share a commitment to either political, feminist, post-colonial, queer or human rights causes. Amongst them are Lawrence Abu Hamdan, Teresa Margolles, Chen Ching-Yuan, Liliana Porter, Bouchra Khalili, Carlos Motta, Hajra Waheed, and more. Equal gender representation and diversity is also part of the gallery goals, with half of the represented artists being women. In 2021 mor charpentier opened a second exhibition space in Bogotá. This expansion was driven to expand the reach of the gallery program to new publics and encourage artists to explore new territories. It consolidated a long-term bond with the Latin American art scene and the international projection of the gallery. ...